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Tom Constanten

Tom Constanten, composer and second keyboardist for the Grateful Deceased, was created on March 19, 1944 in Long Branch, NJ. In nov 1961, he fulfilled future Deceased bassist Phil Lesh while learning astronomy at U.C. Berkeley in California. Both strike it off famously. Quickly these were rooming collectively, cranking out avant-garde compositions. They enrolled in the renowned Mills College to review with composer Luciano Berio. When Berio asked the set to accompany him to European countries, Constanten eagerly recognized, while Lesh remained Stateside. While in Germany, Constanten researched with lots of the luminaries from the modern classical music globe, including Pierre Boulez, Karlheinz Stockhausen, and Henri Pousseur. Carrying out a stint in the atmosphere power in 1965 and 1966 (in order to avoid the draft), Constanten rejoined Lesh as an associate from the after that artistically growing Grateful Deceased. Constanten brought an experimental impact to an currently wildly eclectic (and plain outrageous) ensemble. He added ready piano and various other assorted weirdness towards the band’s two psychedelic studio room masterpieces, Anthem of sunlight and Aoxomoxoa in 1967 and 1968. Sadly, things didn’t move quite aswell on the highway, where the music group found their house for some of the entire year. Coupled with his burgeoning fascination with scientology, Constanten discovered his playing drowned out with the band’s wall structure of guitars. By 1970, he’d amicably parted methods with them. Constanten spent the ’70s, ’80s, and ’90s mainly in the Bay Region, creating unusual compositions, teaching piano, and playing displays across the periphery from the Deceased scene. He made up for the theatre with some achievement, like the off-Broadway play Tarot (the music that premiered on United Performers in 1972), eventually winning a metallic medal in the brand new York Critics’ Group Poll. In 1986, he was an designer in home at Harvard University or college. Throughout this era, he toured sometimes and released albums by himself, or through little imprints (such as for example Relix Information), which frequently featured variance on Deceased music like “Dark Celebrity.” His music continued to be extremely smart, though it frequently fell victim to slim sounding synthesizers, faring better when he trapped with acoustic piano. In 1988, he collaborated with Deceased lyricist Robert Hunter for any disk of Hunter’s translations from the poetry of Rainer Maria Rilke. He documented with Henry Kaiser on 1990’s Heart’s Desire, and started an ongoing collaboration with latter-day Deceased keyboard specialist Bob Bralove that led to the Dosage Hermanos task. In 1993, he wedded Beth Diggs. A child, Clarissa Lee, was created in 1997. Pursuing her delivery, Constanten and family members relocated to NEW YORK.

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