To-Mera

Stylistically, the part-British, part-Hungarian band To-Mera never have been simple to categorize. The majority of their supporters would concur that they fall in to the steel category, however the music group is not suffering from one kind of steel exclusively; To-Mera’s ambitious and experimental function continues to be described as from intensifying steel to goth steel to alternative steel, and they also have incorporated components of loss of life metallic and black metallic. But To-Mera’s affects have in no way been limited by metallic. Metal-wise, they have already been affected by everyone from Desire Theatre and Symphony X to Dark Funeral, Meshuggah, Opeth, and Lacuna Coil, however they also have nonmetal influences including jazz, European traditional music, East Western folk, and globe music. Straight or indirectly, To-Mera’s experimentation owes something to non-headbangers who range between Yes to Tori Amos to Chick Corea’s 1970s fusion powerhouse Go back to Forever. Hardly any metallic rings have been seriously interested in incorporating jazz components, but electrical fusion and acoustic, straight-ahead post-bop possess both still left their tag on To-Mera’s materials. To-Mera had been founded in South Oxfordshire, Britain, in early 2004 by Hungarian vocalist Julie Kiss (who was simply born in the first ’80s and mementos an ethereal, angelic vocal design that owes too much to goth rock and roll and goth steel) and United kingdom bassist Lee Barrett; the band’s name shown Kiss’ curiosity about Egyptology. Kiss was a previous business lead vocalist for Without Encounter (a Hungarian goth steel music group that was produced in 1997), while Barrett was most widely known for his efforts to Extreme Sound Terror but also acquired alternative steel combo Disgust as well as the industrial-oriented Mussolini Headkick on his réamounté. Kiss and Barrett shortly recruited Hungarian drummer Akos Pirisi, and guitarist Tom MacLean (previously of the rings Forlorn Wish and Fubar) was employed after speaking with Kiss at a Dillinger Get away Program concert in London; MacLean told Kiss that he previously been a huge admirer of her efforts to Without Encounter, and she chose that these were on a single page musically. Through the summer months of 2005, To-Mera’s Kiss/Barrett/MacLean/Pirisi lineup documented the band’s initial demo, that was blended by manufacturer Brett Caldas-Lima in France. Shortly after documenting that demonstration, To-Mera became a quintet by adding Hugo Sheppard on keyboards. To-Mera’s initial demo resulted in a cope with Candlelight Information, and they documented their formal debut record, Transcendental (which reunited them with Caldas-Lima), for Candlelight in 2006. It had been also in 2006 that Pirisi still left his placement as To-Mera’s drummer and was changed by Paul Westwood, who was simply a member from the London-based music group Foe. So when Sheppard still left To-Mera in 2007, Hen (who was simply with the music group Haken) was employed as To-Mera’s fresh keyboardist. Shortly after Candlelight released To-Mera’s second recording, Delusions, in early 2008, co-founder Barrett announced his departure from your outfit; Tag Harrington (who was simply having a London-based music group known as Demagogue) was employed as To-Mera’s fresh bassist.