Tina Brooks

Tina Brooks had a short-lived profession through the heyday of hard bop and didn’t record going back 12 years of his existence. Nonetheless, his personal information and his classes with Freddie Hubbard, Jackie McLean, Freddie Redd, Jimmy Smith, and Kenny Burrell keep the impression that he was on his method to learning to be a tenor huge when he was conquer by health issues due to medication addiction. Brooks do session use both Amos Milburn and Lionel Hampton, however the important to his personal artistry is around the Blue Notice label. He led just four sessions like a innovator for Blue Notice from 1958 through 1961 — during his life time. The very first two, Small Move and Accurate Blue, define the weighty advantage in Brooks’ playing and his variety of improvisational suggestions that prolonged the blues platform he operated away from beyond what most players had been doing at that time. His reliance on minor-key signatures and open-ended harmonic statistics had been much-envied trademarks among his peers. Also on Blue Take note is his use McLean and Redd, both of whom performed on his recordings. Probably Brooks’ most seminal second as an improviser, though, was on Redd’s rating for Jack port Gelber’s Defeat play THE BOND, performed with the Living Movie theater, where the music artists performed themselves as people and drug lovers, which was near, if not i’m all over this, the particular truth. Right here he and McLean changed the hard bop blues into an intense, deeply psychological wail of truth and beauty winding around one another in a nutshell bursts and longer lines as Redd changed the intervals inside out for the set to blow. Brooks focus on McLean’s Road Vocalist and Jackie’s Handbag in 1959 and 1960 in addition to Tones of Redd are spectacular also.