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Timbuktu

Timbuktu has earned a reputation mainly because Sweden’s most influential political hip-hop and rap crossover designer, called simply by some “the rapper actually your grandma has learned.” Given birth to January 11, 1975, Jason Michael Robinson Diakité’s African-American dad and Swedish mom spent time surviving in both Sweden and Chile. His multi-ethnic and multinational upbringing revealed him to a multitude of musical designs and affects. He started rapping in the first ’90s, quickly learning to be a fixture within the Copenhagen, Stockholm, and Malmö live hip-hop moments. Composing lyrics in Scanian and British, Timbuktu teamed up having a Danish rapper within the mid-’90s to create the multilingual duo Excel. The set released one recording, entitled Bright Lamps Big Town, before disbanding. Timbuktu’s single profession was initiated from the launch of T2: Kontrakultur in 2000. Refusing to drinking water down his lyrics for industrial success like therefore a lot of his American counterparts, Timbuktu quickly earned a status as a tone of voice of politics dissent and problem. His confrontational lyrics and addition of musical affects like folk, blues, reggae, and Western African styles produced the music both hard to categorize and wildly well-known. An unrelenting graph existence and regular functionality schedule during the period of several years produced Timbuktu Norway and Sweden’s perhaps most obviously urban tone of voice. With the 2007 discharge of Oberoendeframkallande — an record that topped the Swedish graphs — Timbuktu acquired racked up four first album releases supported by his very own Juju Information. From 2008 onward Diakité became a normal web host of Musikhjälpen, an annual Swedish charity radio and Television broadcast which has elevated cash for different causes via tune demands. In 2011 he released the studio record Sagolandet, featuring creation the help of Mayomi and Petter collaborator Patrik Collén on several tracks. This is swiftly implemented in 2012 by Pusselbitar, a compilation that successfully summarized Timbuktu’s profession from 2001 onward. Both albums proceeded to go silver in Sweden and had been helped with the promotion encircling the tenth wedding anniversary of Diakité’s initial performance using the comprehensive funk music group Damn! Also hailing from Diakité’s city of Lund, to tag this milestone they collaborated with him in 2012 on Total Ära, an record of re-interpretations of the most widely used live material. The next season, in alignment using the Norwegian charity Program, he helped to make a recording studio within the Senegalese capital of Dakar, allowing disadvantaged teenagers in the city’s slums to get professional musical knowledge.

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