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Tim Ries

Wearing several hats and possessing a deep réamounté with a lot of popular names onto it is definitely par for the program for top-notch pickup and session musicians. Saxophonist Tim Ries proceeded to go one better by cultivating a wholesome single career through some well-regarded single albums, respectable compositions and plans, along with a sound Rolling Rock story Keith Richards referred to as “amazing.” A graduate from the University or college of North Tx and the University or college of Michigan, Ries produced his documenting debut in 1983 on Maynard Ferguson’s Live from SAN FRANCISCO BAY AREA. His like of rock and roll and jazz was initially place to record in 1989 when he made an appearance on Bob Belden’s Right to My Heart: The Music of Sting. Four years later on he was a presented name within the recording Regards, posting headlining credits with Franck Amsallem. Moo Information released Ries’ 1st single recording, Imaginary Period, in 1994. IS THE FACT THAT So? — that was also acknowledged as Amsallem/Ries — was from a 1990 time, but the even more abstract record didn’t find discharge until 1996, exactly the same calendar year that Ries made an appearance over the Grammy-winning Joe Henderson record Big Band. General Spirits found its way to 1998 and highlighted regular Ries collaborator Billy Drummond on drums. Ries acquired already done program work for a lot of pop/rock and roll acts by this time around (Donald Fagen, Paul Simon, Sheryl Crow, Stevie Question, David Lee Roth, and many more), however in 1999 he got his biggest give yet. While executing for Leader Clinton on the Light House, the cellular phone he forgot to shut down began ringing. It had been an give to tour using the Rolling Rocks, an give Ries immediately recognized. After a thorough tour using the Rocks, Alternate Aspect from 2001 reintroduced Ries being a single musician, but a calendar year afterwards he became a founding person in the Prism Saxophone Quartet, whose debut, True Standard Time, premiered with the Innova label. Another tour using the Rocks took up the majority of his period during 2003-2004 and motivated Ries to create his very own jazz agreements of Mick and Keith’s compositions. The outcomes were road-tested with an American tour and released in 2005 because the Rolling Rocks Project over the Concord label.

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