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A delicate mixture of acoustic guitars and rock and roll sounds provided the backbone behind Lou Bennett, Sally Dastey, and Amy Saunders’ folk-pop vocal harmonies. Developing in 1991 after functioning as backup performers for Saunders’ sibling Richard Franklin’s music group Djaambi, their name originated from the Aboriginal term tiddas (indicating “sisters”), recommended by Koori vocalist Ruby Hunter. Released in Oct 1992, the group’s debut EP Inside My Kitchen brought two nominations in the 1992 Australian Record Market Association (ARIA) Honours for Greatest New Talent and Greatest Indigenous Talent. The group backed Nice Honey and Midnight Essential oil on tour before adding didgeridoo participant Tim “Froggie” Holtze for his or her Sing About Existence recording, an acoustic-folk blend, released in past due 1993. The record accomplished gold position in Australia (35,000 copies offered) and received Greatest Indigenous Record in the 1993 ARIA Honours. National and worldwide tours adopted, including many WOMAD concerts. Sing About Existence was released within the U.S. in Sept 1995, spurring trips of THE UNITED STATES and European countries. The Dark Sorrows’ Joe Camilleri created the group’s second recording, Tiddas, released in Australia in August 1996. A far more rounded recording than Sing About Existence, it reached the Australian Best 40. The very first solitary, “Ignorance Is usually Bliss,” was reputedly influenced by a disagreement with Sir Bob Geldof while touring in 1993. Backing music artists on the recording included the Dark Sorrows’ Jen Anderson on violin, Joe Camilleri on sax (on “Waving Goodbye”), Peter Luscombe on drums, Steven Hadley on bass, and Wedding ceremonies, Parties, Anything’s Tag “Squeezebox Wally” Wallace on piano accordion. A fresh solitary, “Walk Only,” premiered in 1997.

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