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Thomas Fehlmann

A significant man within the German digital picture, Zurich-born musician and maker Thomas Fehlmann brought many diverse acts to Germany to record and collaborate. From the first ’80s, his group Palais Schaumburg fused dance rhythms towards the experimentalist flair of ’70s German rock and roll. A Detroit-Berlin social exchange with the Tresor label originally brought Underground Level of resistance to Germany, and Fehlmann do his component by recording individually with Blake Baxter, Eddie Flashin’ Fowlkes, and Juan Atkins (as 3MB). A longtime association with another electronica organization, the Orb, offered him an opportunity to record and create the group in Berlin. While controlling the music group Fisherman’s Friend, he confident two of the users to form Sunlight Electric and created their Kitchen recording. Around once, he as well as the Orb also collaborated with one of is own main inspirations, guitarist Robert Fripp, as FFWD. Though Fehlmann continuing recording through the entire past due ’90s, his profile elevated considerably when he became a member of Cologne’s Kompakt roster, simultaneously getting the label’s elder statesman and something of its most constant performers. Two albums, 2002’s Visions of Blah and 2007’s Honigpumpe, put together materials from Kompakt 12″ produces while adding brand-new tracks. He helped to revive the Orb, who also became a member of up with Kompakt, co-producing several singles as well as the full-lengths Bicycles & Tricycles (2004) and Okie Dokie It is the Orb on Kompakt (2005). Within Gudrun Gut’s Sea Club, he developed his reputation being a DJ and helped within the Berlin troupe’s different radio show. In ’09 2009, Fehlmann was commissioned to supply music for the documentary 24h Berlin. He released the materials, which subtly included assorted components from his discography, as Gute Luft (potentially titled following a Palais Schaumburg tune), released this year 2010 on Kompakt.

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