Theodore McCord

The apparently highly swinging music department at Ohio’s Wilberforce College or university was in charge of a surprising amount of achieved jazz music artists in the first 1920s including among the genre’s rare sets of twin brothers, Castor McCord and Theodore McCord. Both had been reed players, and in a few details their professions had been nearly similar. The differences consist of Theodore McCord’s more vigorous usage of the alto saxophone — the siblings distributed a pastime in fondling the bigger tenor sax aswell as the clarinet. Castor McCord were able to arrive on some more documenting classes than his sibling, at least if the stitch-counting of discographer Tom Lord is usually to be taken significantly, but demand for Theodore McCord on studio room jobs continued for quite some time after Castor McCord’s last known studio room documenting in 1939. Frequently acknowledged as Ted McCord, this instrumentalist shouldn’t be confused using the Hollywood cinematographer from the same name. The Ted McCord from the film business offers his personal seams towards the historical jazz picture by virtue of experiencing done the biopic potboiler SON having a Horn, a family portrait of trumpeter Bix Beiderbecke. Beiderbecke’s music had not been the sort of jazz that influenced either from the musical McCord brothers to connect their profession knots — that was bandleader Horace Henderson, whose college student ensemble at Wilberforce University or college was the satisfaction of Xenia, OH. Although university students, the twins found Henderson with professional encounter currently under their belts, having both been users of Edgar Hayes’ Blue Lawn Buddies circa 1924. The bluegrass genre connected with acoustic string devices, white lightning tempos and white gospel tranquility singing had nothing in connection with this, having not been named therefore at this time. That fact will not end occasional tries to state the McCord twins within the Nashville freak picture. No, Xenia was its incredibly rich theatre of live music in the ’20s, as hard as that’s to believe predicated on the family portrait film director Tranquility Korine made of the city in his 1997 film Gummo. The thought of twin saxophone players employed in rowdy regional jazz bands is certainly a detail kooky more than enough for the Gummo connection, however with the ’90s any prosperity of cultural variety had lengthy since vanished out of this component of Ohio, departing only a small amount a track as Theodore McCord do when he slipped out of music in the ’40s. Castor McCord also give up performing during this time period, but was recognized to have grown to be a hairdresser in NEW YORK. The brothers often proved helpful in the same groupings, like the Mills Blue Tempo Band. With regards to discographical activity, that association is certainly directly in charge of the convenience with which interested listeners can examine as well as do a comparison of the reed function from the Xenia twins. Louis Armstrong used the group to accompany him on some recordings in the first ’30s, material that is reissued many times. Theodore McCord also performed and documented with McKinney’s Natural cotton Pickers.