Brooklyn indie pop quartet Thelma may be the brainchild of vocalist/songwriter and guitarist Natasha Jacobs, an alumna of New York’s College of Visual Arts, who released her debut single EP, Split Misconceptions, in 2013. Begun by Jacobs while she retrieved from a serious lower leg fracture, the single task started like a studio room endeavor, but using the eventual goal of performing shows, inside a bet to get over her lifelong concern with live show. A self-taught manufacturer, Jacobs began using a sparse avant folk design in the vein of Joanna Newsom, but additional experimentation with a range of results pedals led her to build a unique audio driven with the wealthy twang of her vintage-style Isle guitar. The task was soon called Thelma after her past due grandmother, and finally evolved right into a complete live band by adding guitarist Juan Pablo Siles, his sibling Daniel on drums, and Maciej Lewandowski on bass. Saxophonist John Stanesco also performed using the band sometimes. Their particular fusion of ’90s-design indie rock, traditional vocal pop, and old-time American music with Jacobs’ fractured track constructions and cryptic, abstract lyrics produced a dreamlike atmosphere and struck a chord with viewers, leading them to become popular live attract. Thelma’s eponymous debut recording was released early in 2017 by Tiny Motors.