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The Whiteley Brothers

Chris and Ken Whiteley are well-known statistics in the Toronto-area blues picture as well as the picture in Canada. Blessed in the U.S., they’ve produced Toronto their house bottom since 1956. Blues scholars, studio room owners, and impresarios, the Whiteley Brothers’ understanding of acoustic and electrical blues is certainly matched up by their interest and passion for the music. They’re well-versed in lots of designs, including jug music group blues, electrical metropolitan Chicago blues, and acoustic blues ? la Sonny Terry and Brownie McGhee. The Whiteley Brothers initial obtained renown in Canada in the first ’70s, if they performed with Tom Evans as the initial Sloth Music group. Their repertoire after that included traditional folk music, old-time jazz, and golf swing, nation music, and gospel, but traditional blues is definitely the music they are most interested in. They distributed folk festival levels with Roosevelt Sykes, Bukka Light, Sam Chatmon, Yank Rachell, Johnny Shines, and John Hammond. The brothers became friendly using the Chicago pianist Blind John Davis and toured and documented with him often until Davis passed away in 1985. Employed in his very own studio room, Ken Whiteley created John Hammond’s 1985 Traveling Fish record, Nobody NEVERTHELESS, YOU. Jointly, the brothers possess performed as sidemen on over 100 recordings, including on albums by John Hammond, Blind John Davis, Leon Redbone, Tom Paxton, Stan Rogers, Cathy Fink, and Sylvia Tyson (of Ian & Sylvia). The Whiteley Brothers possess performed at over 80 folk celebrations and a large number of clubs throughout the U.S. and Canada. They are generally showcased on CBC Radio, and their functionality on the 1993 Chicago Blues Festival was an initial for just about any Canadian blues group. The set documented and released Bluesology: A Trip Through the Blues in 1993 in the Pyramid Information label out of Toronto. The documenting contains their interpretations of Perry Bradford’s “Crazy Blues” (the initial blues melody ever documented), as well as the record introduces listeners towards the tunes of Willie Dark brown, Sonny Terry, Muddy Waters, B.B. Ruler, Willie Dixon, and Big Joe Turner. The idea recording takes listeners on the journey through the introduction of the music and several different designs, acoustic, and electrical, are tackled. A good touch is definitely Ken Whiteley’s unique music, “We Don’t Chat.” In the event that you personal no additional blues recording by Canadian performers, this one is definitely a keeper, due to its superb liner records, its empathic renderings of traditional blues tunes that don’t stray too much from the initial arrangements, and its own high fidelity. The Whiteley Brothers continue steadily to perform at espresso houses, night clubs, and celebrations around Toronto and the others of Canada, sometimes making forays in to the U.S. to execute at folk and blues celebrations.

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