The Velours were originally from your Bedford-Stuyvesant portion of Brooklyn and even though they by no means scored any main chart hits, they’re fondly remembered for his or her selection of vocal group romantic ballads, novelty numbers, and up-tempo jump and rockin’ songs. Initial users tenor Jerome “Speedo” Ramos,” John Cheetom (1st tenor), Donald Heywood (second tenor), Kenneth Walker (baritone), and Marvin Holland (bass) arrived together within the middle-’50s and started documenting for the recently created Onyx label in June of 1956. Their 1st single, “My Like KEEP COMING BACK,” (1956) didn’t hit. Within the springtime of 1957, the group released their biggest record, a ballad known as “MAY I Arrive Over Tonight.” Additional singles included through the past due ’50s included “Blue Velvet,” “THIS MAY BE the night time,” “Romeo,” “Keep in mind,” and “Crazy Like.” In 1957, Holland and Walker remaining; they were changed by Charles Moffitt and baritone John Pearson. This fresh lineup transported the Velours through their Onyx times. From 1958 to 1961, the group relocated to Cub and added either Troy Keyes or Keith Williams as yet another tenor, producing them a sextet. One recording was issued from the group: Keep in mind Using the Velours (Onyx 201). The Velours documented into 1961 before disbanding, and then reform because the R&B-flavored Fantastics in 1968. This take action continued in to the early ’70s before phoning it quits.