The Three Sounds

The Three Noises were probably one of the most popular artists on Blue Notice Records through the past due ’50s and ’60s, because of their nimble, swinging, blues-inflected mainstream jazz. Since their information sounded compatible and their warm, friendly jazz was immediately available, many critics dismissed the group at that time as lounge-jazz, however in the ’90s, crucial consensus agreed the group’s innovator, pianist Gene Harris, was an achieved, exclusive stylist whose extremely simple playing disguised his specialized skill. Likewise, his co-workers, bassist Andrew Simpkins and drummer Costs Dowdy, had been a deft, able tempo section that held the group within an interesting, bluesy groove. That groove was therefore interesting the fact that Three Noises maintained a big fan following in to the past due ’60s. Through the group’s leading period — off their 1958 debut for Blue Take note towards the departure of Dowdy in 1967 — the Three Noises cut a massive number of information. Most of them strike the shelves, while some remained in the vaults, to become issued at a later time. Through everything, the trio’s audio remained fundamentally the same, without real drop in quality before group begun to splinter in the past due ’60s.