The Hits were among the many white vocal groups that sprung up throughout the mid-’50s, trying to seize a bit of the rock & roll action which was needs to swirl throughout the charts. They’d began being a nation vocal trio, comprising Willie Jacobs on business lead, Ken Scott performing tenor and playing tempo electric guitar, and Paul Kunz on bass, at North Tx State College within the initial fifty percent of the ’50s — their audio in those times was honky tonk, and their primary impact was Hank Williams, however they also acquired a pastime in and understanding for tempo & blues which, coupled with their nation roots, produced them an all natural match for the burgeoning noises of rock and roll & move. By 1956, the Attacks — named, relating to 1 interview, in response to some fellow student’s observation that they might “hit out” — had been a sextet, curved out by top-flight rockabilly guitarist A.B. Cornelius, bassist Don Alexander (who quickly started singing aswell), and drummer Walter Paschal Parsons. They performed around East Tx and cut information backing other performers, especially Andy Starr at Lin Information in Sept of 1956, that Jacobs and Alexander also had written all four tracks that Starr documented — along the way, Lin creator Joe Leonard was impressed enough to indication the group up, even though none from the Starr edges hit. Their 1st record, “Baby I AM SORRY” b/w “IF YOU CANNOT Rock and roll Me,” lower in November of 1956, was nearly as good a bit of rock and roll & roll because the Lin/Kliff brands ever released, which says something, as Leonard was mainlining among the better musical skill in his part of Tx. Their music intersected Carl Perkins and Gene Vincent without ever sounding the same as either, plus they also called in your thoughts Friend Holly & the Crickets. These were similarly adept at gradual R&B-style numbers, such as for example “I REALLY DO,” as well as the tempo numbers that demonstrated off their virtuosity — better still, Alexander, Jacobs, and Scott composed their own materials, which material worked in a variety of settings, because the making it through alternate takes from the group’s edges confirm; Jacobs was an excellent single lead, together with their usual distributed vocals, and Don Alexander was also no slouch being a single lead. There appeared to be huge potential within the group, nonetheless it was hardly ever understood — their initial single hardly ever charted and their function was later found by Imperial Information within a nationwide distribution deal regarding Lin’s one verified national superstar, Ken Copeland. Their music at another recording program in Feb of 1957 was as effective as that off their initial session, however they went out of your time — Willie Jacobs was drafted in Sept of 1957, as well as the associates — aside from Alexander and Scott — shortly still left music. They continuing writing music, and Alexander (functioning as Don Terry) documented an individual for Lin Information late within the 10 years. Ironically, Jacobs appreciated some pleasant and unexpected benefits for his function in music pursuing his stint within the military, when “IF YOU CANNOT Rock and roll Me,” which he’d created, was documented by Ricky Nelson and included on the pop/rock and roll superstar’s debut LP, that was among the biggest-selling rock and roll & move LPs of 1959, and Nelson eventually documented Alexander’s “Baby I AM SORRY” aswell. The group’s recordings (including unissued paths) were later on unearthed within European reissues specialized in the R&B result of Imperial Information and 50’s Southern rock and roll & move, including Bear Family members Information’ That’ll Smooth Git It series, as well as the same label’s four-CD arranged, The Lin & Kliff Tale.