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The Ray-O-Vacs

The Ray-O-Vacs are best remembered for “I’ve Got Two Hands to carry You,” which sold well in both R&B and pop music fields within the mid-’50s. The Ray-O-Vacs — led by Lester Harris — made an appearance over the doo wop picture in early March of 1950. At that time, “A long time ago” was a big number 1 strike for the Ames Brothers, who documented for Coral Information. Coral’s mother or father label — Decca — acquired attempted to get extra product sales insurance firms the Ray-O-Vacs cover the melody and their edition do sell some copies, however, not almost enough to produce a dent in the product sales with the Ames Brothers. Decca attempted again using the pop regular “Besame Mucho,” which were able to sell well through the entire summer season and into fall. That November, Decca released a final part for the Ray-O-Vacs, this time around spotlighting Harris on “I’ve Got Two Hands to carry You” b/w “A Kiss at night,” that was the first documenting on Decca from the group released in the brand new 45-rpm file format. The solitary offered well in both R&B and pop music areas, but following singles didn’t further their profession. Ray-O-Vacs business lead vocalist Harris remaining the group and authorized a agreement to record like a single designer for RCA Information; Harris was ultimately changed by Herbert Milliner, who was simply spotlighted on the final Decca launch, “Hands Over the Desk,” from 1951. Another year brought fresh attempts to get success inside the pop music field. The Ray-O-Vacs released “Once the Swallows Get back to Capistrano,” which have been popular for the Printer ink Places years before, nonetheless it too didn’t ignite any product sales. Decca eventually fallen the Ray-O-Vacs using their roster. These were quickly authorized to Jerry Blaine’s Jubilee label. In November, their 1st launch — “Begin Caring Me” b/w “What MAY I State?” — was released both in 78- and 45-rpm platforms. During Feb of 1953, the group performed in Philadelphia (well-received displays at both Pep’s as well as the Golf club Expenses & Lou). The next month, they found that founding member and previous lead vocalist Lester Harris got passed away. He was 33 yrs . old. A few weeks later, in-may, The Pittsburgh Courier, a dark and mostly metropolitan newspaper, carried out a prestigious visitors poll. The Courier’s visitors selected the Ray-O-Vacs because the greatest small-combo appeal (defeating out Paul Gayten and Louis Jordan’s groupings) which award somewhat appeared to replace the group’s insufficient achievement. That same month, the Gale Company agreed upon the group to its skill consultant roster, and by the fall the Ray-O-Vacs performed through the Procedure Music Display, which shown the winners from the Pittsburgh Courier poll and helped to advantage the NAACP Legal Protection Fund. In Apr of 1954, Jubilee made a decision to move the Ray-O-Vacs to its Josie subsidiary, wishing their association with additional Josie works (the Cadillacs as well as the Five Records) would help them rating with the general public. The first launch for the Josie label was “Using Large,” and presented a lead vocal by Milliner. It didn’t ignite fascination with the group. Through the pursuing summer, Josie attempted again with a fresh solitary; “Daddy” presented a business lead vocal by Babe Hutton, while “I Still Like You” was led by Natural herb Milliner, even though single’s label credits the group as Flap McQueen & the Ray-O-Vacs. In 1956, the tiny 3rd party Kaiser label released “Crying ALONE” b/w “Party Period” and later on that same yr, “Wino” b/w “Hong Kong.” Another year, these were shuffled to the Atlantic subsidiary label Atco, which re-released this same solitary. It would become the final launch from the Ray-O-Vacs.

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