Several bands during the period of rock & move history been employed by a continuing mythology to their records: Jamie Hewlett’s elliptical tale line told within and between your albums and videos by Gorillaz, for instance, or the freaky apocalyptic science fiction story line, filled with lyrics within a made-up language, that was in the centre of French prog rock outfit Magma. Amid their career, nevertheless, the neo-prog alt-metal clothing Coheed & Cambria do something potentially without precedent: their major tale range, a multi-generational bloodstream feud between three households referred to as the Amory Wars, grew therefore complex that among the band’s people started a completely separate solo task, the Award Fighter Inferno, to create area of the tale within a different musical design. The mastermind from the Award Fighter Inferno is certainly Claudio Sanchez, the lead vocalist and lyricist of Coheed & Cambria, who also pens a continuing online visual novel that fleshes out the principal tale line. Sanchez have been working on Award Fighter materials intermittently for nearly seven years before launching any materials. Finally released on Halloween 2006 through Equivalent Vision, the Award Fighter Inferno’s debut, My Brother’s Bloodstream Machine, is an idea record told from the idea of watch of Inferno (aka Jesse, Coheed’s sibling), among the main people in the Coheed & Cambria mythology, and who passed away around the band’s 2005 recording Great Apollo I’m Burning up Celebrity IV, Vol. 1: From Dread Through the Eye of Madness; he tells a self-contained tale that both predates the storyplot type of the Amory Wars and creates a part of its storyline. Recorded primarily single by Sanchez, My Brother’s Bloodstream Machine is usually a mainly electronic-based indie rock and roll recording, wholly unique of Sanchez’s usual function.