In a number of respects, the Pilgrims were very much like many United kingdom 1960s groups that under no circumstances got to to push out a record, or barely released anything. They performed imitative United kingdom Invasion music with much R&B slant, sometimes using a even more Merseybeat-based strategy, with derivative first materials and crude, lively instrumentation. The huge difference was that the Pilgrims had written and performed a wholly Christian-based repertoire, with tracks proselytizing about signing up for the Christian beliefs for devotion to God and Jesus Christ. Christian-based rock and roll bands were very much rarer in the first ’60s, when the Pilgrims shaped in London, than they might be in afterwards decades, and in a few ways what these were carrying out was radical, also if their lyrics had been awkward as well as the execution heartfelt but gawky. The Pilgrims weren’t instrumentally tame, nevertheless; they favored a reasonably gritty R&B-blues-based make of United kingdom Invasion rock, filled with some harmonica and fuzz electric guitar. The tracks and playing had been leagues below the Rolling Rocks, the Pretty Factors, the Yardbirds, and so on, however the music had not been almost as reserved and conventional as some may have assumed provided their lyrical concentrate. Playing in secular night clubs aswell as churches, the Pilgrims performed through the entire 1960s, using different lineups. In addition they taped a few of their originals, and in 2004 the Compact disc Telling Youth…THE REALITY compiled 21 tracks from these recordings, made between 1962 and 1967. The Compact disc was focused on first member John Hubbard, who had written a lot of the materials before dying of leukemia in 1966.