If you’re acquainted with the tune “The Tide Is High” you almost certainly know it as a big success for Blondie, but before Deborah Harry and firm got a your hands on it, it had been a 1960s hit for the Paragons. Produced in Kingston, Jamaica, the Paragons had been originally composed of Garth “Tyrone” Evans, Bob Andy, Junior Menz, and Leroy Stamp. In 1964, right before they broke big in Jamaica, Stamp was changed by John Holt, and Menz (who remaining to become listed on another Jamaican vocal group, the Methods) was changed by Howard Barret. The first Paragons sound is definitely heavily impact by American spirit music, as well as the singing is within the familiar limited, interlocking harmony design of Jamaican vocal trios and quartets of the first ’60s. In 1964, the group captured the interest of legendary maker Clement “Coxsone” Dodd, who instantly brought the group to Jamaica’s popular Studio room One and beneath the watchful eye and ears of Duke Reid (who became the group’s coach), slice a succession of well-known singles such as for example “Love finally” and “ALL THE BEST and Goodbye” for Reid’s label Treasure Isle. Shortly after this 1st flush of achievement, Bob Andy stop the group as well as the Paragons halted documenting, as John Holt (who by this aspect had surfaced as the group’s innovator) decided the group should soften their soulful audio and get a even more root-heavy, rocksteady strategy. It ended up being an excellent idea as the Paragons became typically the most popular rocksteady vocal take action in Jamaica and in Britain. But cash problems, specifically problems over why the group wasn’t wealthy after greater than a dozen number 1 Jamaican hits, resulted in the band’s separation. From the bandmembers, just John Holt continued to truly have a significant single profession. Still, the Paragons recordings, including “The Tide Is definitely Large,” are a few of the most fantastic and sublime occasions in Jamaican pop.