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The Naked Apes

A band purpose on developing a reputation predicated on shenanigans and hijinks instead of music prowess, the Naked Apes began their profession with some organized promotion stunts showcasing them in a variety of general public areas while taking part in their instruments nude. Their outlandish shows of pseudo-debauchery designed for some quality picture possibilities that, while missing the social effect from the Crimson Warm Chili Peppers’ famous Abbey Road picture, effectively portrayed the bandmembers in the unfavorable light they craved while echoing the unabashed juvenile sentiments of their track “Party Nude” — that everybody should obtain nude and rude. As story offers it, in the middle-’90s Mikey McCleary started sharpening his songwriting chops by saving raw materials in his London studio room. In 1999, he continued an annual holiday with his aged schoolmate from New Zealand, Davo Sime, using the motives of writing music, going out, and taking in beer. On the seaside in Mexico, both arbitrarily concocted the music group name the Nude Apes. Later on that evening, seated in their resort lobby, they pointed out that the just two books around the shelf had been The Bible and Desmond Morris’ The Nude Ape. They required this as an indicator from above that it had been their ultimate future to create a music group. After proposed programs of gigging London, significantly less than a 12 months later both split up, departing McCleary to re-form the music group with bassist Andy Shields and drummer Rusty Evans. Their fresh gimmicky and spastic live display often contains them dressed up in only Bermuda pants, and grabbed the interest of U.K. indie label Airplay Information in 2002. In August 2003 and August 2004, the music group released two limited, self-employed singles (Wasted and Great), and their focus on teen audience improved when the tracks appeared in a number of shows of Punk’d on MTV. Their debut recording, Something in my own Genes, premiered in 2007 and continuing to capitalize on the sunny, refined pop-punk doused in schtick and pubescent laughter.

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