Home / Biography / The Mamas & the Papas

The Mamas & the Papas


The best California-based vocal band of the ’60s, the Mamas & the Papas epitomized the ethos from the mid- to past due-’60s pop culture: live free, play free, and like free. Their music, constructed around glowing harmonies and a good electric folk basis, was gorgeous alone terms, but a significant section of its charm lay within the easygoing southern California way of living it endorsed. The group’s achievement was as incredible since it was short, and onlookers may wonder what proceeded to go wrong having a carrying out group that appeared to have the globe at its ft for most of 2 yrs. The irony behind the Mamas & the Papas’ tale would be that the same causes that managed to get easy for them to generate extraordinary music collectively also managed to get impossible to allow them to stay collectively for greater than a small amount of time. The group’s founder and de facto head, John Phillips, delivered in 1935, was in fact a lot older than a lot of the statistics who surfaced as rock superstars through the middle and past due 1960s. He was even more of Elvis Presley’s era, the product of the chaotic home lifestyle with a hard child years and adolescence, and appeared to be going for life like a low-level delinquent until he was frightened straight, and had been going for america Naval Academy at Annapolis, MD. In the backdrop, nevertheless, was music, your guitar, as well as the noises of Elvis Presley, the Platters, Teresa Brewer, and everybody else charting information within the middle-’50s. He ultimately entered music expertly, while his first relationship produced two kids (one of these future celebrity MacKenzie Phillips). Phillips’ initial music forays transferred from pop to gentle jazz and lastly into folk music, through groupings like the Smoothies as well as the Journeymen. The last mentioned group, a trio with Dick Weissman and Scott McKenzie, was perhaps one of the most appealing small ensembles from the early-’60s folk music increase, but it hardly ever connected with the general public despite becoming authorized to Capitol Information — in fairness, the label currently experienced the Kingston Trio, and Phillips’ group was maybe slightly behind the curve of where general public flavor and radio encoding had been heading. Eventually, Phillips’ first relationship ended, as do the Journeymen, but his tries at musical achievement continued. Phillips produced the brand new Journeymen with potential screenwriter Marshall Brickman and a model and vocalist called Michelle Gilliam; they didn’t be successful much better, but Phillips and Gilliam wedded plus they also began to create tracks. One which they constructed jointly during this time period was a catchy tune with some potential that portrayed an idealized eyesight. Meanwhile, employed in a different world from the musical range was a Baltimore-born vocalist called Cassandra Elliot, who got turn into a big seafood in a little fish-pond — though Cass Elliot could have been the first ever to state that she was a fairly big seafood in any fish pond — within New York’s off-Broadway theatre scene, and experienced produced some sound in touring productions from the Music Guy. She’s relocated into folk music together with Tim Rose — himself an ex-associate from the Smoothies. They worked well as two-thirds of the trio known as the Triumverate, whose third place was subsequently loaded by Nebraska-born folksinger Adam Hendricks. This group ultimately became the best 3 and strike it big at New York’s Bitter End, and following that continued to a short flurry of documenting activity that yielded two LPs, a small number of singles, along with a brace of tv commercials. Eventually, the best 3 evolved in to the Mugwumps, whose rates included Elliot, Hendricks, Zal Yanovsky, John Sebastian, and Denny Doherty, a veteran from the Colonials in the first ’60s, who later on rechristened themselves the Halifax Three — Doherty and Elliot, who have been pretty impressive independently, produced a dazzling couple of voices collectively. The Mugwumps appeared to be around the advantage of a fresh sound, mixing electrical instruments used ever more focus on folk-based materials — this is concurrent using the Western Coast actions of Roger McGuinn, Gene Clark, and David Crosby within the Byrds — but could by no means quite come up with an audio that sold, actually towards the record brands, much less the general public. These were foundering when Phillips made a decision to reactivate his trio because the New Journeymen and, with Brickman eliminated, recruited Doherty to sing some displays down in Washington, D.C. Every one of the pieces had been almost all jointly within the shutting times of 1964. In the meantime, Cass Elliot was spending her expenses by performing jazz, in Washington, D.C., believe it or not. THE BRAND NEW Journeymen may have eliminated it only, except that Doherty brought his fellow people to find out her perform. The quartet dropped into place despite some level of resistance from John Phillips over Elliot’s pure size in addition to her strong character and (supposedly) her tone of voice. Carrying out a few good and the bad in personalities, a vacation towards the Caribbean (as immortalized afterwards by the melody “Creeque Alley”), a major accident that instantly acquired Elliot striking what Phillips stated had been the right records, and some acidity use and medication experimentation on the way, they all going west searching for achievement. The group going to California past due in 1965 and was rejected by ex-Kingston Trio supervisor Frank Werber, whose group the We Five — using a vaguely identical sound to Phillips and business — was credit scoring big using its edition of Sylvia Fricker’s “YOU HAD BEEN on My Brain.” In the recommendation of Barry McGuire, past due of the brand new Christy Minstrels and a vintage friend of Elliot’s, who was simply just coming from his biggest strike, “Eve of Damage” on Dunhill Information, the quartet auditioned for Lou Adler, the top from the label — their audition contains “California Dreamin’,” “Mon, Monday,” and several of the various other tracks that finished up composed of their debut record. Adler agreed upon them at that moment and their debut one, “California Dreamin’,” was out by the beginning of 1966 and capturing up the graphs, with their recording WHEN YOU CAN Believe Your Eye and Ears approaching behind it. That recording was among the finest types of what later on became referred to as “sunlight pop,” and it’s really still one of the better tranquility vocal showcases in 1960s music. As well as the two strike singles, “California Dreamin'” and “Mon, Mon,” listeners could luxuriate within the radiant splendors of “Move Where You Wanna Move,” “Got a sense,” and eight even more unabashed gems, plus they reciprocated by lofting it to the main i’m all over this the graphs and keeping it one of the top-selling albums in the united states for months. Unfortunately, this might also tag the Mamas & the Papas’ high watermark as an recording act; they might under no circumstances again launch any long-player quite as constant with regards to quality and inventiveness. Actually before it had been documented, the unity of the group and its own sound, as well as the foursome’s known reasons for functioning as group (which have been cultivated for the year) had been jeopardized with the overlapping intimate attractions between your associates — John and Michelle Phillips had been wedded, but that didn’t end Doherty, who’d recently been the thing of Elliot’s affections, from pairing off with Michelle Phillips and, along the way, engendering tension and distrust throughout. Tensions also arose as Michelle Phillips became included for a while with Gene Clark, the main composer, co-founder, and business lead singer using the Byrds — even worse, she finished up getting accused of disloyalty towards the group on her behalf public shows of appeal to Clark and was finally, at one stage, fired. There is an attempt to displace her with Jill Gibson through the documenting of the self-titled second recording during the summer season of 1966, also to this day the specific personnel on numerous tunes from that recording continues to be a matter of conjecture. Ironically, even while their inner lineup was disrupted for a while — Michelle Phillips was back the rates by enough time from the album’s discharge — the group’s studio room audio was honed to an excellent point. The very first recording experienced utilized a brace of best program people, including Glen Campbell and P.F. Sloan on guitars and Bud Shank on flute, but with the springtime of 1966 it acquired solidified around guitarist Eric Hord as well as the established LA program players Larry Knechtel on keyboards, Joe Osborne on bass, and Hal Blaine on drums (generally known as “the Wrecking Team”), all becoming coordinated by John Phillips, engineer Bone fragments Howe, and label main Lou Adler. Both band’s tracks as well as the quartet’s vocals had been meticulously exercised individually and merged in the ultimate mix, that could move as deep as 16 monitors, unusual in pop documenting in 1966. The mixture of hands didn’t conflict whatsoever — rather, within the Mamas & the Papas’ recordings, they led to the illusion of the self-contained group which was playing in addition to performing. Their information organized unbelievably well, on the air or heard in the home, plus they appeared to move from triumph to triumph, the very first two singles providing method to “I Noticed Her Once again” and “Terms of Like,” after that “Focused on the One I REALLY LIKE,” “Creeque Alley,” and “LOOK OVER My Screen,” which transformed up on the third recording, Deliver, that was type of an “in” joke in its name, coinciding using the delivery of Cass Elliot’s little girl. Good simply because their second and third albums had been, nevertheless, things had been hardly ever quite exactly the same for the group from then on episode of disunity within the first 1 / 2 of 1966. They’d found its way to LA in comparative innocence, essentially four content people who had been happy merely to end up being performing jointly, however the intermingling of affections tainted that; although resolving the original problems got allowed these to maintain operating collectively, the motivation quickly became a matter of safeguarding the success these were taking pleasure in — essentially, they were within it your money can buy, the prestige, as well as the stardom, just as much as and perhaps a lot more than the pure joy from the performing and of viewing what they could accomplish. This is understandable as, for the very first time, these were all producing large sums of money off their music and had been at the guts from the music artists’ colony in L.A., in addition to nearly mainly because well-known nationally because the Beatles. Certainly, their charm was remarkably much like that of the Liverpool quartet, for the reason that both organizations involved four specific and well-known personalities. John Phillips was the pop expert, the main otherwise special songwriter and manufacturer and architect of the sound, and acquired the type of persona that youthful female listeners appeared to almost being a fatherly amount (with, admittedly, some incestuous overtones for the reason that framework) or, within the framework of the changing times, an enchanting professorial shape, a expert who evoked libidinal urges. Denny Doherty was the appealing male tone of voice that produced women’s hearts flutter and appeared the section of hippie/intimate, playing exactly the same function within the Mamas & the Papas that Gene Clark performed vocally and Michael Clark performed visually in the initial Byrds. Michelle Phillips was the raving beauty, with the capacity of preventing air visitors with simply the hint of the smile or perhaps a glimmer of libidinal fascination with her eye, who most women over 13 wished to be like & most men over 16, in John Phillips’ very own words, “wished to perform.” And Cass Elliot was the hippie Globe Mother using a center of gold along with a glorious tone of voice. Psychically and with regards to image, these were the ready-made primary of the hippie commune on any turntable. The irony was that Phillips was an associate of Elvis Presley’s era and have been in music much longer than lots of the group’s more youthful listeners have been alive — a decade previously, he could’ve been an aspiring person in the Four Freshmen. He’d reinvented himself with several changes in visible design and his songwriting, and liked his instant in sunlight a decade later on than his contemporaries such as for example Presley, Dion, Bobby Darin, et al. As well as for all the idealism of the tracks, there was a whole lot of hedonism present — Phillips and Doherty (whose tone of voice and appears drew females like moths to some flame) enjoyed usage of every fleshly enjoyment there was to be enjoyed in past due-’60s California; Michelle Phillips was no slouch for the reason that quest herself, in addition to getting one particular fleshly pleasures herself, while Cass Elliot treasured the function of Earth Mom and hippie Queen of Hearts, encircled by admirers. She might have performed as effective an indirect part on American music as John Phillips, assisting facilitate the delivery of Crosby, Stills & Nash by getting that trio jointly under one roofing — it had been quite a distance in the Music Man or The Boy Friend, share and touring shows, or her father’s delicatessen. In the past due springtime of 1967, John Phillips’ impact on popular lifestyle reached its zenith when he and Lou Adler, with Michelle Phillips, Al Kooper, and lots of others assisting, arranged the Monterey International Pop Celebration. The first & most renowned (musically) of all rock festivals from the 1960s, the function launched the professions of a large number of mainly San Francisco-based functions nationally and beyond, including those of Jimi Hendrix, Janis Joplin, the Electric powered Flag, and Phillips’ outdated friend and Journeymen bandmate Scott McKenzie. Honoring the celebration, Phillips wrote a tune called “SAN FRANCISCO BAY AREA (Make sure to Use Some Flowers inside your Locks),” which he offered to McKenzie to record as his single debut on Adler’s fresh Ode Information label; the key reason why he didn’t provide it to his personal group, except maybe for the actual fact they weren’t documenting or even functioning at that time, hasn’t been very clear, but McKenzie liked a high Five strike and was all of a sudden in almost just as much demand because the Mamas & the Papas. By that point, the group actually experienced a rival of types, a minimum of in the general public perception, within the guise of Spanky & Our Gang, a Chicago-based clothing with folk root base and impeccable vocals constructed around a robust female vocalist, though these were just a little wider-ranging within their repertory and positioned more focus on humor and a particular theatricality within their demonstration. Monterey marked the final great hurrah for Phillips as well as the Mamas & the Papas as musical affects. The group got closed the event, Doherty hardly arriving with time for the efficiency, which was later on released because the lone official exemplory case of their live shows; also the group’s performances over the Ed Sullivan Display acquired involved intensive lip-syncing to existing paths, and to be honest their studio room sound, due to the way it had been developed in two distinct, perfect layers which were merged, was very hard to re-create on stage. At exactly the same time, they’d tell you the best section of their repertory on those three LPs and 36 music, and most of the passion was spent aswell. John and Michelle Phillips built a studio room of their very own where their 4th recording, The Papas & the Mamas, was documented, and although there have been some new seems embodied in the task and some strikes included (especially the radiant, sadness-tinged “Twelve-Thirty”), the group’s times had been numbered; the way in which numbered these were was uncovered by the discharge from the one “Dream just a little Imagine Me” like a Cass Elliot single solitary. The entire world experienced also transformed in both . 5 years because the group surfaced. By 1968, assassinations, the dragging on from the Vietnam Battle, as well as the festering politics wounds the battle engendered (as well as the underfunding of Lyndon Johnson’s concurrent “Battle on Poverty” because of the United State governments’ ongoing Vietnam participation) had been eating in to the fabric of culture at every level; items were getting unattractive, or at least significant, and John Phillips’ Pied Piper-like existence, beckoning visitors to California and an idealized quasi-hippie lifestyle, appeared increasingly away from touch with old teenagers and university college students’ sympathies. These were wonderful tracks, to be certain — “Twelve-Thirty” was a sensational, bittersweet ode to California’s beauty, both organic and in the guise of “girls arriving at the canyon,” though as beautiful because the group’s edition was, Scott McKenzie’s single rendition provided a poignancy that provides the music some unexpectedly significant overtones, a minimum of in disposition, while “Creeque Alley” is among the funniest and catchiest autobiographical music from the 1960s. By 1969, the Mamas & the Papas had been background, victims of changing instances, psychological exhaustion, and an excessive amount of sexual, chemical substance, and alcoholic pleasures. Cass Elliot was the first ever to emerge in her personal correct, her larger-than-life picture financing itself to pop stardom and her musical capability getting probably the most solid on the single basis — she got a big tone of voice and she’d also acted appropriately, which produced her an all natural, whether documenting single or in tandem with Dave Mason. Her 1st venture into executing single, in NEVADA, was devastating, but by the first ’70s she was on a straight keel, hosting and carrying out on music-oriented tv shows like the Ray Stevens Display and OBTAIN IT Together in addition to her own special deals, and also showing up within the film H.R. Pufnstuf. John Phillips do a single recording, The Wolf Ruler of L.A., which was well received critically but a industrial devastation, and Denny Doherty’s single albums vanished quickly aswell. Michelle Phillips focused on increasing her and John’s child, Chynna Phillips, and noticed some short activity being a documenting artist, nonetheless it was as an celebrity that she held the most active, distinguishing herself significantly in John Milius’ superb period film Dillinger (1973). The group do reunite within the studio room early within the 10 years to record one record, People Like Us, to greatly help fulfill its agreement; conversely, there have been also lawsuits by John Phillips against his previous label over unpaid royalties, which dragged on for a long time. The most known event encircling the group, nevertheless, was the tragic loss of life of Cass Elliot on July 29, 1974. From that time forward, the idea of any reunion or revival of the group was bit more than the arranging of the “ghost music group,” even though John Phillips structured such organizations (especially in 1982 with Doherty, even though his celebrity/singer little girl MacKenzie and Elaine “Spanky” McFarlane, previously of Spanky & Our Gang, loaded the women’s areas) to try out the oldies circuit and recycle the classic repertory. A lot more interesting was an appearance that Phillips produced at New York’s Bitter Result in 1983, playing single — he previously spent a lot of the 1970s dealing with numerous drug problems, and also in his leading acquired hardly ever performed single, and there he was at a respected executing venue, equipped with only an classical guitar (along with a shock special visitor, Scott McKenzie). This obvious work at reactivating Phillips’ profession was overlooked by a lot of the press, nevertheless, and quickly ignored. The group’s charm, nevertheless, provides lingered, as shown in its induction in to the Rock and roll & Move Hall of Popularity in 1997. There were multiple reissues of the unique four LPs, in broadly differing quality (specifically in the us), culminating in 2001 using the discharge of all Leaves Are Dark brown, a compilation of the complete 1960s studio room recordings. The loss of life of John Phillips on March 18 of this year appears to be to have finished any however the most exploitative reincarnations of the group — in 2003, nevertheless, Denny Doherty, who acquired toured using a edition of “the Mamas & the Papas,” premiered the autobiographical stage musical Wish a Little Imagine Me, where he also starred, in NY. Astonishingly, provided their two-and-a-half-year primary background, there are also four books coping with the group’s background. Taken collectively, Papa John by John Phillips (with Jim Jerome) and California Dreamin’: THE REAL Story from the Mamas as well as the Papas — The Music, the Madness, the Magic by Michelle Phillips (both 1986) type a he-said/she-said accounts of occasions, with John Phillips acquiring the award for depth between your two of these. Recently, Doug Hall’s The Mamas as well as the Papas: California Dreamin’ was released, and in 2002 Matthew Greenwald’s Move Where You Wanna Move: The Mouth History of the Mamas as well as the Papas made an appearance. Reading some of them is usually a remarkable, eye-opening, and possibly disillusioning appear behind the intended idealism from the 1960s.

Quick Facts

Full Name The Mamas & the Papas
Spouse Steven Zax, Robert S. Burch, Dennis Hopper, John Phillips

  • Facts
  • Filmography
  • Awards
  • Salaries
  • Quotes
  • Trademarks
  • Pictures

1 Named The Beatles as influences on their own music. Both bands would become friends after meeting for the first time in 1966 during a promotional trip The Mamas and the Papas undertook in England in 1966.
2 As well as a selection of Cass Elliot's solo material, some of the bands best known hits were featured in the 1996 film "Beautiful Thing".
3 During recording of "I Saw Her Again", lead singer Doherty came in too early with the first line of the third chorus, a mistake that was intentionally left in by producer Lou Adler during mixing.
4 Inducted into the Rock & Roll Hall of Fame in 1998 and the Vocal Group Hall of Fame in 2000.
5 The band were part of what was deemed "The In Crowd" or "The Beautiful People of L.A." back in the late 1960s and early 1970s. Their circle of friends included Jane Fonda, Jack Nicholson, Joni Mitchell, Warren Beatty, David Crosby, Graham Nash, Dennis Hopper, Cher and Mick Jagger.
6 The group were close friends with Manson Family murder victims Sharon Tate, Jay Sebring, Wojciech Frykowski and Abigail Folger. Denny Doherty once revealed that he and John were invited over to Cielo Drive on the night of the murders but declined the invitation. The sheet music to the John Phillips penned "Straight Shooter" was actually found open at the piano in the house at Cielo Drive when the bodies of the victims were found.
7 John Phillips penned "San Francisco (Be Sure To Wear Some Flowers In Your Hair)," a hit for Scott McKenzie, and also co-wrote the Beach Boys' "Kokomo".
8 Legend has it that Cass Elliot developed her higher vocal range after being hit on the head by a pipe.
9 The 1971 album "People Like Us" only came to be because the group were still under contract with Dunhill Records. The group had originally been signed to the label when it was run by their original producer Lou Adler, but by 1971, Dunhill's distributor, ABC Records, had purchased the label and discovered the clause in the group's original contract. According to their contract, the group had to produce one more album, or else be in breach of contract and subject to possible fines.
10 The track "Pearl" was written as a tribute to Janis Joplin.
11 "California Dreamin'" was ranked #89 in Rolling Stone's list of The 500 Greatest Songs of All Time.
12 According to John Phillips and Michelle Phillips, "California Dreamin'" was written in 1963 while they were living in New York. John dreamed about the song and woke Michelle up to help him write it.
13 Along with Lou Adler, John and Michelle Phillips organised the legendary Monterey International Pop Festival in June 1967, the band also closed the festival.
14 Their debut album, "If You Can Believe Your Eyes and Ears", was ranked #127 on Rolling Stone magazine's list of the 500 greatest albums of all time.
15 Have sold over 40 million records worldwide.
16 With the death of Denny Doherty on January 19, 2007, Michelle Phillips is the last surviving original member of the group.
17 Originally called The Inner Circle, they changed their name to The Mamas and the Papas (a slang term used in biker culture for bikers and their wives or girlfriends) shortly before recording their first album.
18 Members have included John Phillips, Michelle Phillips, Denny Doherty, Cass Elliot, Jill Gibson (temporarily replaced Michelle Phillips).



Today at Wimbledon 2016 TV Series performer - 1 episode
Wimbledon 2016 TV Series performer - 2 episodes
Tower 2016 Documentary performer: "Monday Monday" - as The Mamas & The Papas
31 2016 performer: "California Dreamin'" - as The Mamas & The Papas
Mike & Mike 2016 TV Series performer - 1 episode
L'odyssée 2016 performer: "California Dreamin"
Fargo 2015 TV Series writer - 1 episode
Orphan Black 2015 TV Series performer - 1 episode
Retour à Ithaque 2014 performer: "California Dreamin'"
Those Who Kill 2014 TV Series 1 episode
The One I Love 2014 performer: "Dedicated to the One I Love"
North America 2013 TV Series documentary performer - 1 episode
Mad Men 2013 TV Series performer - 1 episode
The Voice UK 2012 TV Series performer - 1 episode
Sunset Strip 2012 Documentary performer: "California Dreamin'" written by nm0680645 & nm0680512
Beatrix, Oranje onder Vuur 2012 TV Mini-Series performer - 1 episode
Fringe 2011 TV Series performer - 1 episode
The Vampire Diaries 2011 TV Series performer - 1 episode
Some Jerk with a Camera 2011 TV Series documentary performer - 1 episode
Sammy's avonturen: De geheime doorgang 2010 performer: "California Dreamin"
The Other Guys 2010 performer: "Monday, Monday" - as The Mamas & The Papas
Las tragedias de los famosos 2010 TV Series performer - 1 episode
Repo Men 2010 performer: "Dream A Little Dream Of Me" - as The Mamas & The Papas
CSI: Miami 2010 TV Series performer - 1 episode
Leap Year 2010 performer: "DREAM A LITTLE DREAM OF ME" - as The Mamas & The Papas
All You Need is Love: Meine Schwiegertochter ist ein Mann 2009 TV Movie performer: "Dream A Little Dream Of Me" - uncredited
The National Parks: America's Best Idea 2009 TV Mini-Series documentary performer - 1 episode
Adieu De Gaulle adieu 2009 TV Movie performer: "California Dreamin'"
Stephen Fry in America 2008 TV Mini-Series documentary performer - 1 episode
Banda sonora 2008 TV Series performer - 1 episode
Californication 2008 TV Series performer - 1 episode
60/90 2008 TV Series performer - 1 episode
The Wrecking Crew! 2008 Documentary performer: "California Dreamin'", "Monday, Monday", "Dedicated To The One I Love"
Supernatural 2008 TV Series performer - 1 episode
California Dreamin' 2007 performer: "California Dreamin'"
Aliens Fall in Love 2007 Short performer: "California Dreamin'"
Ha-Shminiya 2006 TV Series performer - 1 episode
The Hills Have Eyes 2006 writer: "California Dreaming"
11er Haus 2005 TV Series performer - 1 episode
Lemming 2005 performer: "Dream a Little Dream of Me"
California Dreamin': The Songs of 'The Mamas & the Papas' 2005 TV Movie documentary performer: "I Call Your Name', "Dancing in the Street", "Do You Believe in Magic", "Somebody Groovy", "Words of Love", "Creeque Alley", "Twelve-Thirty Young Girls Are Coming to the Canyon", "I Saw Her Again", "Dancing Bear", "Once Was a Time I Thought", "Dedicated to the One I Love", "Monday, Monday", "Straight Shooter", "My Heart Stood Still", "California Dreamin'", "Nowhere Man'
Cold Case 2005 TV Series performer - 1 episode
The West Wing 2004 TV Series writer - 1 episode
After the Sunset 2004 performer: "California Dreamin'", "Go Where You Wanna Go"
Hinter Gittern - Der Frauenknast 2001-2003 TV Series performer - 2 episodes
Mayor of the Sunset Strip 2003 Documentary performer: "Monday, Monday" - as The Mamas & The Papas
Morvern Callar 2002 performer: "Dedicated to the One I Love"
He Died with a Felafel in His Hand 2001 performer: "California Dreaming"
Belphegor: Phantom of the Louvre 2001 performer: "California Dreamin'"
Den bästa sommaren 2000 performer: "Dream a Little Dream of Me"
Girl, Interrupted 1999 performer: "Got a Feelin'"
Surveiller les tortues 1999 Short performer: "Monday, Monday"
Zingo 1998 performer: "MONDAY, MONDAY"
Why Do Fools Fall in Love 1998 performer: "California Dreamin'"
A Bright Shining Lie 1998 TV Movie performer: "Monday, Monday" - as The Mamas and The Papas
976-WISH 1997 Short "Dream A Little Dream"
Beautiful Thing 1996 performer: "Creeque Alley", "Dream a Little Dream of Me"
Art for Teachers of Children 1995 performer: "Safe in My Garden"
There Goes My Baby 1994 performer: "California Dreamin'" - as The Mamas and Papas
Chungking Express 1994 performer: "California Dreamin'"
Forrest Gump 1994 performer: "California Dreamin'" 1963
The Critic 1994 TV Series performer - 1 episode
Florida Lady 1994 TV Series performer - 1 episode
Parker Lewis Can't Lose 1990 TV Series performer - 1 episode
Beverly Hills, 90210 1990 TV Series performer - 1 episode
Air America 1990 performer: "California Dreamin'"
Stella 1990 performer: "Carliforna Dreamin'"
In Country 1989 performer: "Dedicated to the One I Love"
She's Out of Control 1989 performer: "California Dreamin'" - as Mamas and Papas
Rockin' the Night Away 1988 TV Movie performer: "Monday, Monday"
Quiet Cool 1986 performer: "California Dreamin'"
American Pop 1981 performer: "California Dreamin'"
Getting Wasted 1980 performer: "Monday, Monday" - as The Mamas and The Papas
The Hollywood Knights 1980 performer: "California Dreamin'" - as The Mamas & Papas
Shindig! 1965 TV Series performer - 1 episode



Biography 2009 TV Series documentary Themselves
Ed Sullivan's Rock 'N' Roll Classics: Rockin' the Sixties 2004 Video Themselves
All You Need Is Love 1977 TV Series documentary Themselves
Monterey Pop 1968 Documentary Themselves
The Hollywood Palace 1966 TV Series Themselves
Where the Action Is 1966 TV Series Themselves
New American Bandstand 1965 1966 TV Series Themselves - Musical Guests
Shindig! 1965 TV Series Themselves - Singers

Archive Footage

Archive Footage

Ed Sullivan's Rock and Roll Classics: The 60s 2009 TV Movie Themselves
Folk America 2009 TV Series documentary Themselves
Banda sonora 2008 TV Series Themselves
60/90 2008 TV Series Themselves
The Wrecking Crew! 2008 Documentary Themselves
My Music: My Generation - The 60s 2008 TV Movie documentary Themselves
Mayor of the Sunset Strip 2003 Documentary Themselves
Nine Hundred Nights 2001 Video documentary Themselves
Power Vision - Pop Galerie 2000 TV Series documentary Themselves
Rock 'n' Roll Summer Action 1986 TV Series Themselves
My Music: Summer, Surf & Beach Music We Love 2016 TV Movie Themselves
My Music: '65-'67 Rock Rewind 2014 TV Movie documentary Themselves (as The Mamas & The Papas)
My Music: A '60s Pop Flashback - Hullabaloo 2013 TV Movie Themselves
Ed Sullivan Presents: Rock 'N Roll Revolution 2011 Video Themselves

Looks like we don't have awards information. Sorry!

Looks like we don't have salary information. Sorry!

Looks like we don't have quotes information. Sorry!

Looks like we don't have trademarks information. Sorry!

Looks like we don't have pictures. Sorry!

Check Also


Created in Liverpool, Britain, in 1973 by singer Dave Lloyd, guitarist Mick Devonport, bassist Keith …

Leave a Reply

Your email address will not be published. Required fields are marked *