The Lemon Fog

Biography

The Lemon Fog were a Houston-based quintet that had the difference of being the very first rock act signed to Ray McGinnis’ Orbit Information label. They began within the springtime of 1963 because the Club Eights, shaped by Fillmore SENIOR HIGH SCHOOL classmates Danny Ogg and Terry Horde, with Timmy Thorpe on bass, and Dale VanDeloo on saxophone and vocals. These were a Rip Chords-type browse band, with several pop-soul numbers combined into their models. The group got several coffee pub gigs along with a sock hop or two to try out before they split up when VanDeloo supposedly attacked Ogg having a mike stand during a disagreement. Enter Chris Lyons, who was simply recruiting music artists at Clem’s Music in Houston for a fresh music group he was developing. Danny Ogg arrived at the shop, and Lyons asked him to become listed on — Ogg decided on condition that Timmy Thorpe, who got just gotten let go from function, play bass. Lyons decided, and by that weekend, the Pla-Boys, because they had been known, had been playing their 1st gig, at St. Regis University for the Arts. It had been there that these were noticed and noticed by Ted Eubanks, an avant-garde composer on Houston’s mod picture, who captured The Pla-Boys’ work, which consisted mainly of addresses of such garage area greats as Sam the Sham as well as the Pharaohs and ? as well as the Mysterians. Eubanks loved the direction they performed a lot more than what they performed, and immediately contacted them following the display. The band loved his recommendations, and he started putting original amounts in to the group’s models. He also transformed their picture from clean-cut, coordinating fits to psychedelic, including beads. In just a matter of weeks in 1965, they proceeded to go from becoming the Pla-Boys towards the Lemon Fog, who quickly became named one of the most formidable rings in Houston. The group’s lineup quickly shifted as Timmy Thorpe was lowered and Danny Ogg shifted to bass, with Terry Horde overtaking the lead acoustic guitar spot. They earned a local fight from the rings, and, with help from producer-songrwriter Jimmy Duncan, had been contacted by Orbit Information with the present of the recording contract. Just three singles had been ever issued for the group by Orbit, although they documented many hours’ worthy of of demos under Eubanks’ path — he taken care of a lot of the songwriting, alternating with Duncan. The very best of the was “The Living Eyes Theme,” also called “The Lemon Fog,” which reached amount eight over the local and local graphs within the Houston region. The group was a significant pull there and in the Houston region, and produced many television performances marketing their singles. Their audio, initially typical garage area band-dance material, acquired advanced by leaps and bounds. A few of their music resembled the folk-rock from the Byrds or the Beau Brummels, while their playing was nearer in spirit towards the intricacy of Moby Grape, with plenty of unpredicted twists in your guitar and body organ parts, and interesting harmonies. Character conflicts ultimately doomed the music group, despite some amazing music with their credit. Egos clashed, and the usage of medicines hampered the skills of 1 member, and in 1970, Eubanks was slicing records like a solo designer, which heralded the group’s disintegration.

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