Biography
Although they weren’t as boldly innovative because the Beatles or as well-known because the Rolling Stones or the Who, the Kinks were probably one of the most influential bands from the British Invasion. Like the majority of bands of the period, the Kinks started as an R&B/blues clothing. Within four years, the music group experienced end up being the most staunchly British of most their contemporaries, sketching heavily from United kingdom music hall and traditional pop, in addition to incorporating components of nation, folk, and blues. Throughout their longer, varied profession, the core from the Kinks continued to be Ray (delivered June 21, 1944) and Dave Davies (delivered Feb 3, 1947), who have been born and elevated in Muswell Hill, London. Within their teenagers, the brothers started playing skiffle and rock and roll & roll. Shortly, the brothers recruited a schoolmate of Ray’s, Peter Quaife, to try out with them; just like the Davies brothers, Quaife performed electric guitar, but he turned to bass. By the summertime of 1963, the group got decided to contact itself the Ravens and got recruited a fresh drummer, Mickey Willet. Ultimately, their demonstration tape reached Shel Talmy, an American record maker who was simply under agreement to Pye Information. Talmy helped the music group land a agreement with Pye in 1964. Just before signing towards the label, the Ravens changed drummer Willet with Mick Avory. The Ravens documented their debut solitary, a cover of Small Richard’s “Very long High Sally,” in January 1964. Prior to the solitary premiered, the group transformed their name towards the Kinks. “Very long Tall Sally” premiered in Feb of 1964 and it didn’t chart, as do their second solitary, “YOU’LL STILL Need Me.” The band’s third solitary, “YOU TRULY Got Me,” was very much noisier and powerful, having a savage, fuzz-toned two-chord riff along with a frenzied single from Dave Davies. Not merely was the ultimate edition the blueprint for the Kinks’ early audio, but ratings of groups utilized the weighty, power chords like a basis. “YOU TRULY Got Me” reached number 1 within per month of its launch; released on Reprise within the U.S., the one climbed in to the TOP. “ALL DAY LONG and Every one of the Evening,” the group’s 4th one, was released past due in 1964 and it increased completely to number 2; in the us, it hit amount seven. During this time period, the music group also created two full-length albums and many EPs. Not merely was the group documenting in a breakneck speed, these were touring relentlessly, aswell, which triggered much tension inside the music group. Towards the end of their summertime 1965 American tour, the Kinks had been prohibited from re-entering america from the American authorities for unspecified factors. For four years, the Kinks had been prohibited from time for the U.S., which not merely meant that the group was deprived from the world’s largest music marketplace, but that these were effectively take off from your musical and interpersonal upheavals from the past due ’60s. Therefore, Ray Davies’ songwriting grew even more introspective and nostalgic, relying even more on overtly British musical influences such as for example music hall, nation, and British folk, compared to the rest of his United kingdom contemporaries. The Kinks’ following record, The Kink Kontroversy, confirmed the development in Davies’ songwriting. “Sunny Afternoon” was among Davies’ wry cultural satires as well as the tune was the largest hit of the summertime of 1966 within the U.K., achieving number 1. “Sunny Afternoon” was a teaser for the band’s great revolution, In person, an archive that featured a massive selection of musical designs. IN-MAY of 1967, they came back with “Waterloo Sunset,” a ballad that reached number 2 within the U.K. within the springtime of 1967. Released in nov 1967, ANOTHER THING from the Kinks continuing the progressions of In person. Regardless of the Kinks’ musical development, their chart overall performance was starting to stagnate. Following a lackluster overall performance of ANOTHER THING, the Kinks rushed out a fresh solitary, “Fall months Almanac,” which became another big U.K. strike for the music group. Released in the springtime of 1968, the Kinks’ “Wonderboy” was the band’s initial one not to split the very best Ten since “YOU TRULY Got Me.” They retrieved relatively with “Times,” however the band’s industrial decline was noticeable by having less success of the next LP. Released in nov 1968, The Community Green Preservation Culture was the culmination of Ray Davies’ more and more nostalgic tendencies. As the record was unsuccessful, it had been well received by critics, especially within the U.S. Peter Quaife shortly grew sick and tired of the band’s insufficient achievement, and he remaining the music group by the finish of the entire year, becoming changed by John Dalton. In early 1969, the American ban upon the Kinks was raised, leaving the music group absolve to tour the U.S. for the very first time in four years. Before they started the tour, the Kinks released Arthur (or the Decrease and Fall from the English Empire). Like its two predecessors, Arthur included distinctly English lyrical and musical designs, nonetheless it was a humble success. Because they had been documenting the follow-up to Arthur, the Kinks extended their lineup to add keyboardist John Gosling. The very first appearance of Gosling on the Kinks record was “Lola.” Having a harder rock and roll base than their last few singles, “Lola” was a high Ten strike in both U.K. as well as the U.S. Released in nov 1970, Lola vs. the Powerman as well as the Money-Go-Round, Component One was their many successful record because the mid-’60s in both U.S. and U.K., assisting the music group become concert favorites within the U.S. The band’s agreement with Pye/Reprise expired in early 1971, departing the Kinks absolve to pursue a fresh record agreement. By the finish of 1971, the Kinks got guaranteed a five-album cope with RCA Information, which brought them a million buck progress. Released in past due 1971, Muswell Hillbillies, the group’s 1st recording for RCA, designated a go back to the nostalgia from the Kinks’ past due-’60s albums, just with an increase of pronounced nation and music hall affects. The recording failed to become the industrial blockbuster RCA had envisioned. A few a few months after the discharge of Muswell Hillbillies, Reprise released a double-album compilation known as The Kink Kronikles, which outsold their RCA debut. Everybody’s in Showbiz (1973), a double-record established comprising one record of studio monitors and another of live materials, was a disappointment within the U.K., even though record was more lucrative within the U.S. In 1973, Ray Davies constructed a full-blown rock and roll opera known as Preservation. Once the initial installment from the opera finally made an appearance in past due 1973, it had been harshly criticized and provided a frosty reception from the general public. Act 2 made an appearance in the summertime of 1974; the sequel received worse treatment than its forerunner. Davies started another musical, Starmaker, for the BBC; the task ultimately metamorphosed into Cleaning soap Opera, that was released in the springtime of 1975. Despite poor evaluations, Cleaning soap Opera was a far more commercially effective record than its forerunner. In 1976, the Kinks documented Davies’ third right rock and roll opera, Schoolboys in Disgrace, which rocked harder than any recording they released on RCA. During 1976, the Kinks remaining RCA and authorized with Arista Information. On Arista, the music group refashioned themselves as a difficult rock-band. Bassist John Dalton remaining the group close to the conclusion of their debut Arista recording; he was changed by Andy Pyle. Sleepwalker, the Kinks’ 1st recording for Arista, became a significant hit within the U.S. Because the music group was completing the follow-up to Sleepwalker, Pyle remaining the group and was changed with the coming back Dalton. Misfits, the band’s second Arista record, was also a U.S. achievement. After a United kingdom tour, Dalton still left the music group once again, alongside keyboardist John Gosling; bassist Jim Rodford and keyboardist Gordon Edwards stuffed the vacancies. Quickly, the music group was playing arenas in america. Despite the fact that punk rockers just like the Jam as well as the Pretenders had been covering Kinks tracks in the past due ’70s, the group was getting more blatantly industrial with each launch, culminating within the weighty rock and roll of LOW QUALITY (1979), which became the group’s biggest American achievement, peaking at quantity 11. The Kinks’ following recording, Supply the People What THEY NEED, made an appearance in past due 1981; the record peaked at quantity 15 and proceeded to go gold. For some of 1982, the music group was on tour. In springtime of 1983, “Arrive Dance” became the group’s biggest American strike since “Sick and tired of Looking forward to You,” because of the video’s repeated publicity on MTV; within the U.S., the tune peaked at amount six, within the U.K. it climbed to amount 12. Condition of Confusion implemented the discharge of “Arrive Dance,” and it had been another achievement, peaking at amount 12 within the U.S. For the rest of 1983, Ray Davies done a film task, Go back to Waterloo, which triggered considerable pressure between himself and his sibling. Instead of splitting up, the Kinks simply reshuffled their lineup, but there is a significant casualty: Mick Avory, the band’s drummer for twenty years, was terminated and changed by Bob Henrit. As Ray completed post-production responsibilities on Go back to Waterloo, he had written another Kinks record, Person to person. Released in past due 1984, the record was identical in shade to the previous few Kinks information, nonetheless it was a industrial disappointment and started an interval of drop for the music group; they by no means released another record that damaged the very best 40. Person to person was the last recording they might record for Arista Information. In early 1986, the music group authorized with MCA Information within the U.S., London within the U.K. Think that Visual, their 1st recording for their fresh label, premiered in past due 1986. It had been a mild achievement but there have been no strike singles through the record. The next season, the Kinks released another live record, appropriately titled THE STREET, which spent a short time in the charts. 2 yrs afterwards, the Kinks released their last studio room record for MCA, UK Jive. During 1989, keyboardist Ian Gibbons still left the music group. The Kinks had been inducted in to the Rock and roll & Move Hall of Popularity in 1990, however the induction didn’t help revive their profession. In 1991, a compilation of the MCA information, Lost & Found out (1986-1989), made an appearance, signalling that their agreement using the label experienced expired. Later on in the entire year, the music group authorized with Columbia Information and released an EP known as Do Ya, which didn’t graph. The Kinks’ initial record for Columbia, Phobia, found its way to 1993 to reasonable testimonials but poor product sales. By this time around, just Ray and Dave Davies continued to be from the initial lineup. In 1994, the music group was fell from Columbia Information, departing the group release a the live Towards the Bone tissue on an unbiased label within the U.K.; the music group was left with out a record label within the U.S. Despite too little industrial achievement, the band’s general public profile started to rise in 1995, because the group was hailed as an impact on some of the most well-known British bands from the 10 years, including Blur and Oasis. Ray Davies was shortly on well-known television shows once again, performing as these band’s godfather and marketing his autobiography, X-Ray, that was released in early 1995 within the U.K. Dave Davies’ autobiography, Kink, was released in the springtime of 1996.
Quick Facts
- Facts
- Filmography
- Awards
- Salaries
- Quotes
- Trademarks
- Pictures
# | Fact |
---|---|
1 | Paid tribute to in a London Stage Musical "Sunny Afternoon". |
2 | Robbie Williams made the cover of their song "Lola" in 2007. to celebrate the 40th birthday of BBC Radio 1. |
3 | Members have included Ray Davies, Mick Avory, Dave Davies, Peter Quaife, Ian Gibbins, Jim Rodford |
4 | Elected to the Rock and Roll Hall of Fame in 1990. |
Soundtrack
Soundtrack
Title | Year | Status | Character |
---|---|---|---|
Good Old Days Part II | 1978 | TV Special performer: "All Day and All of the Night" | |
The American Friend | 1977 | "Nothin' in the World Can Stop Me Worryin' 'Bout That Girl" / performer: "Too Much on My Mind" | |
Ape Over Love | 1974 | performer: "King Kong", "Apeman" - uncredited | |
Summer in the City | 1971 | performer: "Too Much On My Mind", "Sunny Afternoon", "See My Friends", "Set Me Free", "Till The End of the Day", "You Really Got Me", "Tired of Waiting", "Rainy Day in June" | |
Percy | 1971 | performer: "God's Children", "Lola", "The Way Love Used to Be", "Completely", "Running Round Town", "Moments", "Animals in the Zoo", "Just Friends", "Whip Lady", "Dreams", "Helga", "Willesden Green", "God's Children - End" | |
Pop Go the Sixties! | 1969 | TV Movie performer: "Days" | |
Top of the Pops | 1966 | TV Series performer - 1 episode | |
Shindig! | 1965-1966 | TV Series performer - 6 episodes | |
Vinyl | 1965 | performer: "Tired of Waiting For You" | |
Office Christmas Party | 2016 | performer: "Father Christmas" | |
Lorraine | 2016 | TV Series performer - 1 episode | |
Casualty | 2016 | TV Series performer - 1 episode | |
Hunters | 2016 | TV Series performer - 1 episode | |
Match of the Day: Euro 2016 | 2016 | TV Mini-Series performer - 1 episode | |
EastEnders | 1988-2016 | TV Series performer - 5 episodes | |
El Clan | 2015 | performer: "Sunny Afternoon" | |
Aquarius | 2015 | TV Series performer - 1 episode | |
2015 FIFA Women's World Cup | 2015 | TV Series performer - 1 episode | |
Minions | 2015 | performer: "You Really Got Me" | |
The Last Man on Earth | 2015 | TV Series performer - 2 episodes | |
Rude Awakening | 2015 | Short performer: "A Well Respected Man" 1965 | |
The World's Greatest Tribute Bands | 2014 | TV Series 1 episode | |
The Sixties | 2014 | TV Mini-Series documentary performer - 1 episode | |
Rugby League: Challenge Cup | 2014 | TV Series performer - 1 episode | |
Mr. Sloane | 2014 | TV Series performer: "A Well Respected Man" | |
Dancing on Ice | 2014 | TV Series performer - 1 episode | |
True Detective | 2014 | TV Series performer - 1 episode | |
Misfits | 2013 | TV Series performer - 1 episode | |
Love Matters | 2013 | TV Series performer - 1 episode | |
The Joy of the Single | 2012 | TV Movie documentary performer: "All Day and All of the Night", "You Really Got Me" uncredited | |
Not Fade Away | 2012 | performer: "Who'll Be The Next In Line" | |
Best Possible Taste: The Kenny Everett Story | 2012 | TV Movie performer: "Lola" | |
Burning Man: Metropolis | 2012 | Documentary performer: "Do it Again" | |
Rage | 2009-2012 | TV Series performer - 2 episodes | |
Mad Men | 2012 | TV Series performer - 1 episode | |
No me la puc treure del cap | 2012 | TV Series performer - 1 episode | |
Shameless | 2012 | TV Series performer - 1 episode | |
White Heat | 2012 | TV Mini-Series performer - 1 episode | |
Glück | 2012 | performer: "A Well Respected Man" | |
Metal Evolution | 2011 | TV Series documentary performer - 1 episode | |
How I Met Your Mother | 2011 | TV Series performer - 1 episode | |
God Bless America | 2011 | performer: "I'm Not Like Everybody Else" | |
Acoustic at the BBC | 2011 | TV Movie performer: "Lola" 1972 | |
When Rock Goes Acoustic | 2011 | TV Movie documentary performer: "You Really Got Me" 1964, "Lola" 1970 | |
Late Night with Jimmy Fallon | 2011 | TV Series 1 episode | |
Jimi Hendrix: The Guitar Hero | 2011 | Documentary performer: "Dedicated Follower of Fashion" | |
Little Crackers | 2010 | TV Series performer - 1 episode | |
Love & Other Drugs | 2010 | performer: "A Well Respected Man" | |
Grown Ups | 2010 | performer: "Better Things" | |
Comedy Lab | 2010 | TV Series performer - 1 episode | |
Secret Diary of a Call Girl | 2008-2010 | TV Series performer - 4 episodes | |
13 Semester | 2009 | performer: "Strangers" | |
Mixtape | 2009/II | Short performer: "Wonder Where My Baby Is Tonight" | |
20 to 1 | 2009 | TV Series documentary performer - 1 episode | |
Adieu De Gaulle adieu | 2009 | TV Movie performer: "This Time Tomorrow" | |
Pirate Radio | 2009 | performer: "All Day and All of the Night" 1964, "Sunny Afternoon" 1966 | |
Supernatural | 2009 | TV Series 1 episode | |
Life on Mars | 2008-2009 | TV Series performer - 2 episodes | |
100 Greatest Hard Rock Songs | 2008 | TV Movie performer: "You Really Got Me" | |
Criminal Minds | 2008 | TV Series performer - 1 episode | |
Cold Case | 2008 | TV Series performer - 1 episode | |
How to Lose Friends & Alienate People | 2008 | performer: "You Really Got Me" | |
Step Brothers | 2008 | performer: "Father Christmas" | |
In Plain Sight | 2008 | TV Series performer - 1 episode | |
Smother | 2008/II | performer: "Better Things" | |
Chaos Theory | 2008 | performer: "Better Things" | |
The Bank Job | 2008 | performer: "Lola" | |
Rakkauden nälkä | 2007 | TV Mini-Series performer: "Waterloo Sunset" | |
Amazing Journey: The Story of The Who | 2007 | Documentary performer: "You Really Got Me" | |
Juno | 2007 | performer: "A Well Respected Man" 1965 | |
The Darjeeling Limited | 2007 | performer: "This Time Tomorrow", "Strangers", "Powerman" | |
Hot Fuzz | 2007 | performer: "Village Green Preservation Society", "Village Green" | |
Ha-Shminiya | 2007 | TV Series performer - 1 episode | |
The Savages | 2007 | performer: "Sitting by the Riverside" | |
Ramsay's Kitchen Nightmares | 2006 | TV Series performer - 1 episode | |
School for Scoundrels | 2006 | performer: "Set Me Free" | |
Click | 2006 | performer: "Do It Again" 1984 | |
Lost | 2006 | TV Series performer - 2 episodes | |
Saturday Night Live in the '80s: Lost & Found | 2005 | TV Special documentary performer: "Do It Again" | |
History Detectives | 2005 | TV Series documentary performer - 1 episode | |
Les amants réguliers | 2005 | performer: "This Time Tomorrow" | |
Nearing Grace | 2005 | performer: "Sleepwalker", "Juke Box Music" | |
Brothers in Arms | 2005 | TV Movie documentary performer: "Everybody's Gonna Be Happy", "I Gotta Move", "You Really Got Me", "All Day and All of the Night", "Waterloo Sunset", "Death of a Clown", "Days" - uncredited | |
Live from New York: The First 5 Years of Saturday Night Live | 2005 | TV Special documentary performer: "Lola" - uncredited | |
Crossing Jordan | 2005 | TV Series performer - 1 episode | |
Narco | 2004 | performer: "All Day and All of the Night" | |
The Life and Death of Peter Sellers | 2004 | performer: "A Well Respected Man" | |
The Sopranos | 2001-2004 | TV Series performer - 2 episodes | |
Battlefield: Vietnam | 2004 | Video Game performer: "All Day And All Of The Night" | |
Catch Me If You Can | 2002 | performer: "You Really Got Me" | |
American Dreams | 2002 | TV Series performer: "You Really Got Me" | |
Art That Shook the World | 2002 | TV Series documentary performer - 1 episode | |
Ash Wednesday | 2002 | performer: "Catch Me Now I'm Falling" | |
You Really Got Me | 2001 | writer: "You Really Got Me" | |
Victoria Died in 1901 and Is Still Alive Today | 2001 | TV Movie documentary performer: "Victoria" - uncredited | |
Daria | 2000 | TV Series performer - 1 episode | |
High Fidelity | 2000 | performer: "Everybody's Gonna Be Happy" | |
'Weird Al' Yankovic Live! | 1999 | Video "Yoda" | |
Black Milk | 1999 | performer: "ShangriLa" | |
Rushmore | 1998 | performer: "Nothin' In This World Can Stop Me Worryin' 'Bout That Girl" | |
Why Do Fools Fall in Love | 1998 | performer: "All Day and All of the Night" | |
Tohuwabohu | 1996-1998 | TV Series performer - 3 episodes | |
The Pale Horse | 1997 | TV Movie performer: "You Really Got Me", "All Day and All of the Night" | |
The Simpsons | 1997 | TV Series performer - 1 episode | |
Du bist nicht allein - Die Roy Black Story | 1996 | TV Movie performer: "Sunny Afternoon", "Dedicated Follower Of Fashion" | |
Top of the Pops 2 | 1995 | TV Series performer - 1 episode | |
In the Name of the Father | 1993 | performer: "Dedicated Follower of Fashion" | |
A Bronx Tale | 1993 | performer: "You Really Got Me" | |
Quantum Leap | 1990-1992 | TV Series performer - 2 episodes | |
Heartbeat | 1992 | TV Series performer - 1 episode | |
Session Man | 1991 | Short writer: "All Day and All of the Night" | |
Flashback | 1990 | performer: "The Last of the Steam Powered Trains" | |
She's Out of Control | 1989 | performer: "You Really Got Me" | |
Tommys Hollywood Report | 1988 | TV Movie performer: "Celluloid Heroes" - uncredited | |
Nothing in Common | 1986 | performer: "Don't forget to dance" | |
Club Paradise | 1986 | performer: "Ape Man" | |
The American Way | 1986 | performer: "All Day And All Of The Night" | |
Link | 1986 | performer: "APEMAN" | |
Saturday Night Live | 1977-1984 | TV Series performer - 3 episodes | |
Return to Waterloo | 1984 | performer: "Intro", "Return to Waterloo", "Ladder of Success", "Going Solo", "Missing Persons", "Sold Me Out", "Lonely Hearts", "Not Far Away", "Expectations", "Return to Waterloo" reprise, "Voices in the Dark" End Title / writer: "Intro", "Return to Waterloo", "Going Solo", "Missing Persons", "Sold Me Out", "Lonely Hearts", "Expectations", "Return to Waterloo" reprise, "Voices in the Dark" End Title | |
Cool Cats: 25 Years of Rock 'n' Roll Style | 1983 | Video documentary performer: "Predictable" - uncredited | |
WKRP in Cincinnati | 1979-1981 | TV Series performer - 2 episodes | |
Up the Academy | 1980 | performer: "Yes Sir, No Sir" |
Actor
Actor
Title | Year | Status | Character |
---|---|---|---|
Late Night Drama | 1974 | TV Series | |
Swinging London | 1967 | TV Movie | Singers |
The Red Skelton Hour | 1965 | TV Series | Guest Vocalists |
Music Department
Music Department
Title | Year | Status | Character |
---|---|---|---|
Booker | 1990 | TV Series songs performed by - 1 episode | |
Where Was Spring? | 1969 | TV Series composer: additional music - 1969-1970 |
Composer
Composer
Title | Year | Status | Character |
---|---|---|---|
Nachttankstelle Reloaded - Das 10. internationale Kottan-Treffen in Wien | 2012 | Documentary short |
Thanks
Thanks
Title | Year | Status | Character |
---|---|---|---|
Summer in the City | 1971 | dedicatee |
Self
Self
Title | Year | Status | Character |
---|---|---|---|
Taratata | 1993-2013 | TV Series | Themselves |
The Tonight Show with Jay Leno | 1993 | TV Series | Themselves - Musical Guest |
Later... With Jools Holland | 1993 | TV Series | Themselves |
Saturday Night Live | 1977-1984 | TV Series | Themselves - Musical Guest |
The Mike Douglas Show | 1977 | TV Series | Themselves - Rock Group |
Ohne Maulkorb | 1976 | TV Series documentary | Themselves |
45 | 1974 | TV Series | Themselves |
In Concert | 1974 | TV Series | Themselves |
Top of the Pops | 1964-1973 | TV Series | Themselves |
It's Lulu | 1973 | TV Series | Themselves |
In Concert | 1973 | TV Series | Themselves |
The David Frost Show | 1970 | TV Series | Themselves |
Pop Go the Sixties! | 1969 | TV Movie | Themselves |
Once More with Felix | 1969 | TV Series | Themselves |
Time for Blackburn | 1968 | TV Series | Themselves |
Colour Me Pop | 1968 | TV Series | |
Dee Time | 1967 | TV Series | Themselves |
As You Like It | 1967 | TV Series | Themselves |
Ready, Steady, Go! | 1964-1966 | TV Series | Themselves |
Thank Your Lucky Stars | 1965-1966 | TV Series | Themselves |
A Whole Scene Going | 1966 | TV Series | Themselves |
Shindig! | 1965-1966 | TV Series | Themselves - Rock Band / Themselves |
Five O'Clock Club | 1965 | TV Series | Themselves |
Where the Action Is | 1965 | TV Series | Themselves |
Shivaree | 1965 | TV Series | Themselves |
New Musical Express Poll Winners' Concert | 1965 | TV Movie documentary | Themselves |
Hullabaloo | 1965 | TV Series | Themselves |
The Beat Room | 1964 | TV Series | Themselves |
Archive Footage
Archive Footage
Title | Year | Status | Character |
---|---|---|---|
The Sixties | 2014 | TV Mini-Series documentary | Themselves |
My Music: A '60s Pop Flashback - Hullabaloo | 2013 | TV Movie | Themselves |
Acoustic at the BBC | 2011 | TV Movie | Themselves |
When Rock Goes Acoustic | 2011 | TV Movie documentary | Themselves |
20 to 1 | 2009 | TV Series documentary | Themselves |
Girls and Boys: Sex and British Pop | 2005 | TV Mini-Series documentary | Themselves |
Sixties Rock | 2004 | Video short | Themselves |
The Howlin' Wolf Story | 2003 | Documentary | Thenselves |
Walk on By: The Story of Popular Song | 2001 | TV Series documentary | Themselves |
Top of the Pops 2 | 1995-1998 | TV Series | Themselves |
The Best of the Don Lane Show | 1994 | TV Movie | Themselves |
British Rock: The First Wave | 1985 | Video documentary | Themselves |
Cool Cats: 25 Years of Rock 'n' Roll Style | 1983 | Video documentary | Themselves |
Good Old Days Part II | 1978 | TV Special | Themselves |
Nominated awards
Nominated awards
Year | Award | Ceremony | Nomination | Movie | Award shared with |
---|---|---|---|---|---|
2009 | SLFCA Award | St. Louis Film Critics Association, US | Best Music | The Boat That Rocked (2009) | · The Rolling Stones · The Turtles · Jimi Hendrix · Duffy · Procol Harum · The Box Tops · The Beach Boys · Dusty Springfield · The Seekers · The Who · Smokey Robinson · Chris Andrews · Skeeter Davis · The Troggs · Jeff Beck · The Hollies · David Bowie · The Tremeloes · Lorraine Ellison |
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