The Helio Sequence

Biography

The Portland-based duo Helio Sequence is made up of vocalist/guitarist Brandon Summers and keyboardist/drummer Benjamin Weikel. Debuting in 1999 with an ambient, psychedelic audio that placed just as much emphasis on your guitar as Summers’ muted vocals, the music group released the Accelerated Slow-Motion Movie theater EP before falling the full-length Com Plex in 2000. Helio Sequence’s 100-percent house studio strategy allowed for a number of sonic experimentation, which aesthetic up to date the swirls and levels of their changing audio. When it do touch the bottom, it had been at factors between My Bloody Valentine, Mouse on Mars, as well as the weirder aspect from the Elephant 6 collective. Little Effectuals implemented in 2001 prior to the Helio Series jumped in the roster of Cavity Search Information to Sub Pop, launching the greater auspicious Like and Length in June 2004. The record gave an unparalleled quantity of prominence to Summers’ vocals, however the vocalist was struggling to maintain his throat in form on the next tour. He came back to Portland, his tone of voice severely broken, and was compelled to relearn the build through some vocal exercises and changes in lifestyle. Acquiring cues from another raspy-voiced vocalist, Bob Dylan, Summers progressively regained the usage of his tone of voice, as well as the Helio Series came back in 2008 with MAINTAIN YOUR Eyes Forward. While on tour to get the record, the duo’s rented studio room/practice space flooded, wiping out a few of their equipment and departing them looking for a fresh space to record and generate. The band’s fresh digs in a remote control, disused warehouse provided them the seclusion essential to test and loosen up. The results of the insular experiments educated the more individual, languid sound of 2012’s Discussions. In 2013, Summers and Weikel attempted their hands at producing additional artists for the very first time, dealing with a Brazilian combo called Quarto Negro, remixing songs for exciting hip-hop take action Shabazz Palaces, and combining projects for a number of Portland-based performers. In 2014, a few of their close friends within the Portland music community developed “the 20 Music Game,” where participants had been asked to create 20 new tunes in one day time. While Summers and Weikel didn’t quite make the target, it prompted these to problem themselves to generate as many fresh tracks because they could in per month. After discovering 26 music, Summers and Weikel trimmed the list right down to ten, that have been polished and put together in to the band’s self-titled 6th recording released by Sub Play May 2015.

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