Bronx-based doo wop foursome the Halos enjoyed a humble hit in 1961 using the song “Nag,” however they were even more widely heard like a backup group dealing with additional artists from the past due ’50s and early ’60s. Al Cleveland, Arthur Crier, Phil Johnson, and Harold Johnson 1st began working collectively as support vocalists for maker Morty Art, who used these to accompany Shirley & Lee on “Allow Good Times Move,” plus a number of additional sides. Beneath the name the Craftys (a nod with their maker), they slice their first solitary, “L-O-V-E,” in 1960, but had been billed because the Halos for his or her following record, “Nag,” which peaked at 25 within the Billboard Pop graphs. Several even more singles followed, non-e which reached exactly the same level of graph success. Nevertheless, the group stayed busy within the studio room scene, cutting many singles with vocalist Cammy Carol and adding doo wop and harmonies to two early Phil Spector productions, Curtis Lee’s “Pretty Small Angel Eye” and Gene Pitney’s “Every Breathing I Consider.” As the Halos could not achieve accurate stardom, Arthur Crier’s impact like a musician certainly paid for his family members: Crier’s child Sabu was an associate of the group GQ, and Crier’s grandson Keith Sabu Crier, Jr. would turn into a main R&B star beneath the stage name Keith Perspiration.
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