After making music in the German city of Jena in the later ’90s, Robert Witschakowski’s underground electro and techno bass alias the Exaltics became among the stalwarts from the burgeoning electro revival wave from the mid-2000s. Beginning in 2007, he create Solar One Music with Nico Jageiella (Crotaphytus); this might become the primary creative shop for the Exaltics’ creation of pulsating dark synth beats aswell as the house to contemporaries such as for example Impakt and Komarken. Sculpting dark, bleak, and digital atmospherics, Witschakowski released his debut recording, Invasion, and this year’s 2009 follow-up, The Arriving, on Transient Push. However, it had been this year 2010 that he began to attract viewers when he documented his three-part EP series 100 Lamps in the Sky for Bunker Information. Drawing favorable evaluations to famous brands Drexciya and Dopplereffekt, he released the six-track EP They Get to 2011 within the much-respected Crème Corporation label. Throughout 2010 and 2011, he documented three singles for Last Known Trajectory and continuing to create and release materials for his personal label. Having a raft of remixes and DJ times across European countries throughout this era, the Exaltics became probably one of the most formidable purveyors of the present day European electro audio.