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The Entrance Band

Carrying out a stint as bassist in angular emo-rock trio the Convocation Of…, Baltimore indigenous Man Blakeslee relocated to Chicago in the first 2000s and started performing solo beneath the name Entry. Blakeslee’s somber however trippy acoustic music quickly arrived him a normal place at tastemaking dive club the Hideout, where his noises caught the hearing from the Tiger Design label. The label released the initial Entry solo long-player, The Kingdom of Heaven SHOULD BE Taken by Surprise, in 2003. Blakeslee started touring voraciously within this early stage, opening shows throughout the world over another couple of years for indie luminaries like Kitty Power, Sonic Youngsters, Yeah Yeah Yeahs, and Devendra Banhart, amongst others. Two full-lengths, Careless Like and Wandering Stranger, had been released in 2004. Blakeslee have been playing semi-randomly with several music artists up until this time, but also for 2006’s self-released Prayer of Loss of life, he collaborated intensely with drummer Derek W. Adam and bassist Paz Lenchantin. Right now all three music artists had been stationed in LA, and Prayer of Loss of life noticed a coagulation of Blakeslee’s acidity folk wanderings using the tempo section’s darkly primal psychedelic grooves. The group solidified its sound and transformed its name towards the even more inclusive the Entry Band for the 2009 self-titled record on Thurston Moore’s Ecstatic Tranquility! label. In 2011 these were asked to London for the pet Collective-curated All Tomorrow’s Celebrations festival and a Latitudes studio room session, the last mentioned of which noticed discharge as an untitled three-song EP in 2012.

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