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The Dø

A French-Finnish duo claiming whatever noises capture its extravagant as its, the Dø (pronounced “doh,” just like the first note from the solfege size) features multi-instrumentalist Dan Levy and vocalist Olivia Merilahti. The set met while focusing on the music for the 2005 French film Empire from the Wolves and, acquiring the initial notice from each of their initial brands, christened their very own task the Dø immediately after. The duo’s initial discharge, a three-song EP that included “The Bridge Is certainly Damaged,” a tune constructed for the modern ballet Scène d’Amour, came later that season. Levy and Merilahti continuing composing for film, adding music to movies like the award-winning The Traveler, as well for dance, theatre, and poetry productions, while planning the Dø’s debut recording. They earned an easy following within their house foundation of France; after publishing several songs on the MySpace web page in 2007, the Dø performed some sold-out concerts in Paris. One particular tunes, “On My Shoulder blades,” became the band’s 1st single as well as the 1st taste from the duo’s recording. In 2008, their debut full-length, A Mouthful, managed to get to the very best from the French graphs, and produced the Dø the 1st band to perform that feat while performing in English. Using the album’s following release in the others of European countries and Australia, Levy and Merilahti spent a lot of 2008 and 2009 touring. In Sept 2009, the set embarked on the 1st UNITED STATES tour, but A Mouthful had not been released in the U.S. until Six Levels released it in Apr 2010. Later that season, the Dø released the Dirt It Off EP, which hinted on the even more multi-colored, confident path of Both Methods Open Jaws, that was released in European countries in March 2011 and in the U.S. that November. After completing their touring responsibilities for that record, Merilahti and Levy searched for a new strategy. Finding motivation in the abrasive consumer electronics of Fuck Control keys, Loss of life Grips, and Kanye West’s productions, they came back with the concentrated yet edgy Tremble Shook Shaken in 2014.

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