Biography
Long Isle, NY-based doo wop quartet the Delroys formed within the city’s Queensbridge Tasks in 1956 — based on Marv Goldberg’s profile within the July 1989 problem of Record Enthusiasts’ Month to month, brothers Ronald (first tenor) and Robert Coleman (baritone) lured aside bass Reggie Walker from a competitor group, along with the next addition of lead John Blount, the lineup was complete. Called honoring the acrobatic troupe the Five Soaring Delroys, the teenagers were soon launched to supervisor Ernest Kelly, who in early 1957 guaranteed a cope with Apollo Information that also included another of his customers, soloist Milton Sparks. Therefore, the Delroys’ debut solitary, “Bermuda Pants,” presented Sparks’ “Period” on the other hand — once the Walker-penned tune started earning curiosity at radio, Apollo vice chief executive Charlie Merenstein partnered with channels over the U.S. to release contests encouraging winners copies from the record in addition to gift certificates for his or her own “Bermuda pants.” Even though Delroys scored a significant hit in marketplaces including Baltimore, Chicago, Pittsburgh, and NEW YORK, spotty distribution hampered the momentum of “Bermuda Pants” as well as the single didn’t crack the nationwide pop charts; furthermore, when Apollo withheld payment from your group, their parents balked at long term documenting sessions, getting their tenure using the label for an abrupt halt. The Delroys continuing touring, nevertheless, at each time executing in Bermuda pants of their very own — a disappointed Blount resigned from responsibility in 1958, prompting the enhancements of two brand-new people, lead Bobby Taylor and second tenor Junior Talbot. When Kelly and Sparks co-founded their very own Sparkell label in 1959, the Delroys inserted the studio room to lower their second one, “Smart Owl” — when it didn’t generate the eye of “Bermuda Pants,” the lineup begun to splinter, with many members needed military responsibility. In 1961, Ronald Coleman constructed a fresh Delroys lineup offering business lead Ray Paine, second tenor Norman Baquie, and baritone Cliff Davis, slicing “Like Me Tenderly” for the Carol label and credit scoring a minor strike in the brand new York market. Another Carol single continued to be on the shelf, nevertheless, and the brand new group dissolved aswell. Nevertheless, in 1964 Coleman reunited with Reggie Walker to create just one more iteration from the Delroys, that one with second tenor Walter Pope. Their lone documenting, “Alimony,” made an appearance around the compilation LP Al Browne Presents Dyno Seems. The Coleman brothers became a member of causes with Walker once again in 1970, implementing the name the very first Three for his or her lone Deep label work, “DO NOT GET Captured Faking.” After greater than a 10 years of inactivity, the trio re-formed because the Delroys in 1982, learning to be a staple from the oldies revue and corporate and business events circuits.
Quick Facts
- Facts
- Filmography
- Awards
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- Quotes
- Trademarks
- Pictures
# | Fact |
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1 | His last name Lindo means pretty in portuguese. |
2 | Rehearsing for his role in August Wilson's new play, "Gem of the Ocean," which is set to open at Huntington College in Boston. [September 2004] |
3 | Lives in Oakland, California. |
4 | Has played two characters named Isaac. Isaac Stubbs in Beauty and the Beast (1987) and, most noticeably, Isaak O'Day in Romeo Must Die (2000). |
5 | Went to stunt-driving school to prepare for his role in Gone in Sixty Seconds (2000). |
6 | Took an 8-day tour of South Africa with Danny Glover, Alfre Woodard, Angela Bassett, and Alexandra Paul to urge Black people there to participate in that country's first fully democratic national election in 1994. |
7 | The son of Jamaican parents (his mother was a nurse; his father held various jobs), Lindo was inspired to act after seeing the production of William Shakespeare's "The Taming of The Shrew" on PBS television. |
8 | Lives in San Francisco. |
9 | Before being able to fully support himself as an actor, he worked a variety of jobs that ranged from busing tables, driving cabs, and selling pesticides over the phone. |
10 | Still considers himself British, despite having lived in America since his late teens. |
11 | Was nominated for Broadway's 1988 Tony Award as Best Actor (Featured Role - Play) for August Wilson's "Joe Turner's Come and Gone." |
12 | Is a fan of the London-based football (soccer) team Arsenal. |
13 | Has one son, Damiri. |
Actor
Actor
Title | Year | Status | Character |
---|---|---|---|
Malicious | 2017 | post-production | Dr. Clark |
The Good Fight | 2017 | TV Series announced | Robert Boseman |
Battlecreek | 2017 | Arthur | |
Marvel's Most Wanted | 2016 | TV Movie | Dominic Fortune |
Blood & Oil | 2015 | TV Series | Sheriff Tip Harrison |
Point Break | 2015 | Instructor Hall | |
Do You Believe? | 2015 | Malachi | |
Cymbeline | 2014 | Belarius | |
Believe | 2014 | TV Series | Dr. Milton Winter |
Robot Chicken | 2013 | TV Series | Dopey Smurf / Scorpion Cashier |
The Chicago Code | 2011 | TV Series | Alderman Ronin Gibbons |
The Big Bang | 2010 | Skeres | |
City of God's Son | 2009 | voice | |
Dug's Special Mission | 2009 | Video short | Beta (voice) |
Mercy | 2009 | TV Series | Dr. Alfred Parks |
Up | 2009 | Beta (voice) | |
Law & Order: Special Victims Unit | 2009 | TV Series | Detective Victor Moran |
This Christmas | 2007 | Joseph Black | |
Kidnapped | 2006-2007 | TV Series | Latimer King |
Domino | 2005 | Claremont Williams | |
Sahara | 2005 | Carl | |
The Exonerated | 2005 | TV Movie | Delbert Tibbs |
Lackawanna Blues | 2005 | TV Movie | Mr. Lucious |
Wondrous Oblivion | 2003 | Dennis Samuel | |
The Core | 2003 | Brazzelton | |
Profoundly Normal | 2003 | TV Movie | Ricardo Thornton |
The Simpsons | 2002 | TV Series | Gabriel |
The One | 2001 | MVA Agent Harry Roedecker / Gas Station Attendant | |
The Last Castle | 2001 | Gen. Wheeler | |
Heist | 2001 | Bobby 'Bob' Blane | |
Gone in Sixty Seconds | 2000 | Det. Roland Castlebeck | |
Romeo Must Die | 2000 | Isaak O'Day | |
Pros & Cons | 1999 | Kyle | |
The Cider House Rules | 1999 | Arthur Rose | |
Strange Justice | 1999 | TV Movie | Clarence Thomas |
The Book of Stars | 1999 | Professor | |
Glory & Honor | 1998 | TV Movie | Mathew Henson |
A Life Less Ordinary | 1997 | Jackson | |
The Devil's Advocate | 1997 | Phillipe Moyez (uncredited) | |
First Time Felon | 1997 | TV Movie | Calhoun |
Ransom | 1996 | Agent Lonnie Hawkins | |
Feeling Minnesota | 1996 | Red | |
The Winner | 1996 | Kingman | |
Soul of the Game | 1996 | TV Movie | Satchel Paige |
Broken Arrow | 1996 | Colonel Max Wilkins | |
Get Shorty | 1995 | Bo Catlett | |
Clockers | 1995 | Rodney Little | |
Congo | 1995 | Captain Wanta (uncredited) | |
Crooklyn | 1994 | Woody Carmichael | |
L'exil du roi Behanzin | 1994 | Behanzin | |
Mr. Jones | 1993 | Howard | |
Blood In, Blood Out | 1993 | Bonafide | |
Malcolm X | 1992 | West Indian Archie | |
The Hard Way | 1991 | Captain Brix | |
Against the Law | 1991 | TV Series | Ben |
Bright Angel | 1990 | Harley | |
Mountains of the Moon | 1990 | Mabruki | |
Perfect Witness | 1989 | TV Movie | Berger |
The Blood of Heroes | 1989 | Mbulu | |
A Man Called Hawk | 1989 | TV Series | Mark Slater |
Beauty and the Beast | 1987 | TV Series | Issac Stubbs |
More American Graffiti | 1979 | Army Sergeant | |
Voice of the Fugitive | 1978 | Short | |
Find the Lady | 1976 | Sam | |
Police Surgeon | 1973-1974 | TV Series | Truck driver / Gaines / Julius |
Producer
Producer
Title | Year | Status | Character |
---|---|---|---|
Do You Believe? | 2015 | associate producer | |
This Christmas | 2007 | executive producer |
Soundtrack
Soundtrack
Title | Year | Status | Character |
---|---|---|---|
The Simpsons | 2002 | TV Series performer - 1 episode |
Self
Self
Title | Year | Status | Character |
---|---|---|---|
Mary Lou Williams: The Lady Who Swings the Band | 2015 | Documentary | John Williams (voice) |
The Mo'Nique Show | 2011 | TV Series | Himself - Guest |
For Love of Liberty: The Story of America's Black Patriots | 2010 | TV Movie documentary voice | |
Straight from the Horses Mouth | 2009 | Video | Himself |
San Quentin Film School | 2009 | TV Series documentary | Guest Actor |
Jean-Michel Cousteau: Ocean Adventures | 2008 | TV Series documentary | Narrator |
One Bad Cat: The Reverend Albert Wagner Story | 2008 | Documentary | Narrator |
Say It Loud | 2008 | TV Movie documentary | Narration |
Up Close with Carrie Keagan | 2007 | TV Series | Himself - Guest |
Kidnapped: Ransom Notes | 2007 | Video short | Himself |
Dinner for Five | 2004 | TV Series | Himself |
To the Core and Back | 2003 | Video documentary short | Himself - 'Brazzelton' |
Hollywood High | 2003 | TV Special documentary | Himself |
Jet Li Is 'The One' | 2002 | Video documentary short | Himself |
HBO First Look | 2000-2001 | TV Series documentary | Himself |
Jazz | 2001 | TV Mini-Series documentary | |
Gone in 60 Seconds: Stars on the Move | 2000 | Video short | Himself |
The Howard Stern Radio Show | 2000 | TV Series | Himself - Guest |
2000 Essence Awards | 2000 | TV Special | Himself |
The Directors | 2000 | TV Series documentary | Himself |
The Cider House Rules: The Making of an American Classic | 1999 | Video documentary short | Himself |
Late Show with David Letterman | 1996 | TV Series | Himself |
The Rosie O'Donnell Show | 1996 | TV Series | Himself - Guest |
The Making of 'Clockers' | 1995 | Documentary short | Rodney Little |
Baseball | 1994 | TV Mini-Series documentary | Rube Foster / Various |
The 42nd Annual Tony Awards | 1988 | TV Special | Himself - Performer & Nominee: Best Featured Actor in a Play |
Archive Footage
Archive Footage
Title | Year | Status | Character |
---|---|---|---|
Welcome to the Basement | 2014 | TV Series | Bobby Blane |
Won awards
Won awards
Year | Award | Ceremony | Nomination | Movie | Award shared with |
---|---|---|---|---|---|
2010 | Image Award | Image Awards | Outstanding Supporting Actor in a Drama Series | Law & Order: Special Victims Unit (1999) | |
1999 | Golden Satellite Award | Satellite Awards | Best Actor in a Miniseries or a Motion Picture Made for Television | Glory & Honor (1998) |
Nominated awards
Nominated awards
Year | Award | Ceremony | Nomination | Movie | Award shared with |
---|---|---|---|---|---|
2010 | Black Reel | Black Reel Awards | Best Voice Performance | Up (2009) | |
2006 | Black Reel | Black Reel Awards | Best Actor - Television | The Exonerated (2005) | |
2000 | Black Reel | Black Reel Awards | Theatrical - Best Supporting Actor | The Cider House Rules (1999) | |
2000 | Black Reel | Black Reel Awards | Network/Cable - Best Actor | Strange Justice (1999) | |
2000 | Sierra Award | Las Vegas Film Critics Society Awards | Best Supporting Actor | The Cider House Rules (1999) | |
2000 | Golden Satellite Award | Satellite Awards | Best Performance by an Actor in a Miniseries or a Motion Picture Made for Television | Strange Justice (1999) | |
2000 | Actor | Screen Actors Guild Awards | Outstanding Performance by a Cast in a Theatrical Motion Picture | The Cider House Rules (1999) | · Jane Alexander · Erykah Badu · Kathy Baker · Michael Caine · Kieran Culkin · Tobey Maguire · Kate Nelligan · Paul Rudd · Charlize Theron |
1997 | Image Award | Image Awards | Outstanding Supporting Actor in a Motion Picture | Ransom (1996) | |
1997 | Image Award | Image Awards | Outstanding Lead Actor in a Television Movie or Mini-Series | Soul of the Game (1996) | |
1996 | ACCA | Awards Circuit Community Awards | Best Cast Ensemble | Ransom (1996) | · Mel Gibson · Rene Russo · Gary Sinise · Brawley Nolte · Evan Handler · Donnie Wahlberg |
1996 | CFCA Award | Chicago Film Critics Association Awards | Best Supporting Actor | Clockers (1995) | |
1996 | Actor | Screen Actors Guild Awards | Outstanding Performance by a Cast | Get Shorty (1995) | · Danny DeVito · Dennis Farina · James Gandolfini · Gene Hackman · David Paymer · Rene Russo · John Travolta |
1995 | Image Award | Image Awards | Outstanding Supporting Actor in a Motion Picture | Malcolm X (1992) |
3rd place awards
3rd place awards
Year | Award | Ceremony | Nomination | Movie | Award shared with |
---|---|---|---|---|---|
1996 | NSFC Award | National Society of Film Critics Awards, USA | Best Supporting Actor | Clockers (1995) | |
1993 | NSFC Award | National Society of Film Critics Awards, USA | Best Supporting Actor | Malcolm X (1992) |
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# | Quote |
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1 | (2011 quote on The Simpsons) When I did The Simpsons, that got me instant cred with my nieces and nephews in Philly. That is when I became aware of the power of The Simpsons. They were like "Oh wow, Uncle Delroy did The Simpsons, oh wow, man." I was not on that Simpsons phenomenon. I had never really watched it, and it was not on my radar, so to say. After I did that voiceover, I was very aware of the power of The Simpsons, because in certain quarters, I got instant credibility. So there you go. |
2 | (2011 quote on landing Get Shorty) I think they couldn't work it out with Sam [Jackson]. I don't think I'm misremembering that. Sam and John [Travolta] had had that huge success on Pulp Fiction, and I think they tried to cast Sam in that part, but they couldn't work it out. They came to me. I guess, arguably, one could say that was my first all-out major studio venture. I didn't think of it in those kinds of terms; I think I'm thinking of it in those kinds of terms in retrospect. For me at the time, if I'm remembering, it was another really interesting job. I was thrilled to be there-great part. I remember reading the script, and thinking, "Damn, this is really well-written." When I read Elmore Leonard's book, Bo Catlett is actually written as a light-skinned black man. Thankfully, that was not a concern to the producers, and they hired me. I had a really, really good time, and the script was so well-written. I used the book as source material-just a well-constructed piece of storytelling. I was really happy to be there, and very much in my element. |
3 | (2011 quote on making Soul of the Game) One of my favorites! But let me say I'm hugely proud of that film, hugely proud. And I feel really, really... oh God. To use a hackneyed term-no, I'm not going to say "blessed," but I was blessed. It was just a fantastic opportunity, and I was really, really thrilled to get the opportunity to play Satchel Paige. The way it happened was the way these things always happen. I got a call from my representatives saying "There's a script, they're interested in you for this." At the time actually, there was word that some people from HBO were really interested in me for the part, some people thought I might be too old. I vaguely remember that. The script was sent to me, I read it, by the time it was sent to me, it was called Baseball In Black And White, and during the time we were shooting, that's what the title was. It was wonderful. I read the script and just fell in love with it. It was beautifully written, beautifully. There was a scene in the beginning which unfortunately we did not get to shoot which was just really, really rich. It was a scene between my character, Satchel Paige, and Josh Gibson. I said "Of course I want to do this." I had actually been offered something else at the same time that we had been negotiating, preliminarily negotiating, but Kevin Sullivan came to New York. Kevin and I met and we talked for some while. I remember being in Central Park, throwing the baseball, and I don't play baseball, I hadn't played baseball, but I threw as best as I could. At the end of the meeting, he said, "Yeah, I'd really like you to do this," and I said, "I'd love to do this, but the one thing, playing Satchel Paige, I want to be sure that I'm gonna have lots of time to get with a pitcher and work on that aspect." He assured me that it could happen, and that is what happened. Very shortly after having met Kevin, I got the official offer, and I was thrilled to do it. It was a difficult shoot because I would have loved to have had more time. But I'm really proud of it. What I could tell you that the biggest challenge for me going into that project, that I was aware of, is that Satchel Paige, based on everything that I read, and I read a lot of material about him, he was someone that used humor as a defense, as his weapon, as his coping mechanism. Humor was a great part of Satchel Paige's life, and that was very challenging. I was afraid of that. Humor doesn't function that way in my life personally. I think it's a brilliant tool to have, not only to have a sense of humor, but to be able to use humor to help one navigate life, and I tend not to be that type of person. I wish I were. But having said all that, I was aware of that about Satchel Paige, and I wanted very much to portray that element. A lightness of touch, a lightness of being, a humorous way of responding to things, even when one is feeling devastated. That was the aspect of his personality that I wanted very much to nail down. |
4 | (On Gone in 60 Seconds) Filming 20 minutes of a car chase took two months of work. And I did a lot of it myself because I went to stunt-driving school. It was great. They were teaching me how to do wheelies, 360s and 180s. |
5 | "I'm very proud of my roles. I enjoy the ability to touch millions of people and, in some way, connect with them in ways that I cannot connect with them in my normal, everyday life." - On his films. |
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