The Dear Hunter

The Dear Hunter started like a solo side project by singer and keyboardist Casey Crescenzo, formerly an integral person in Belchertown, Massachusetts emo act the Receiving End of Sirens. An shop for Crescenzo’s music that didn’t suit the Getting End of Sirens’ large post-hardcore vibe, the Dear Hunter was envisioned being a concurrent task. Indeed, Crescenzo’s initial gig because the Dear Hunter was an starting slot machine for the Getting End of Sirens, of which he was supported by another members from the music group. Shortly afterward, nevertheless, he made a decision to keep the group and concentrate full-time in the Dear Hunter. Carrying out a self-released EP taster known as Dear Ms. Leading, Crescenzo composed and documented the full-length idea record Action I: The Lake South, The River North, which begins with the storyplot of a boy’s birth on the dawn from the 20th hundred years and his romantic relationship with his mom. This is the to begin a well planned six-act task in regards to the eponymous protagonist’s tragic lifestyle, his loves, and loss of life. The record fits the exceedingly delicate lyrics with prog-influenced chamber pop agreements played almost completely by Crescenzo, with several family and friends assisting from drums, keyboards, trumpet, and tranquility vocals. For touring reasons, Crescenzo come up with a full-band edition from the Dear Hunter with guitarist Erick Serna, extra keyboardist Luke Dent, and drummer Sam Dent. The lineup was utilized to record a far more powerful and symphonic second record in 2007 entitled Action II: THIS IS Of, And EVERYTHING Relating to Ms. Leading, which chronicled the loss of life from the Dear Hunter’s mom and his following search for like in the brothel where she was used. In ’09 2009, the music group released the 3rd installment from the series, Action III: Lifestyle and Loss of life (a dramatic arc that brought him towards the frontlines of Globe Battle I — mustard gas and everything — where he discovered both his dad and half-brother over the battlefield). Crescenzo had taken a break in the narrative in 2011 using the discharge of THE COLOUR Range, a nine-EP, three-hour idea in line with the colors from the rainbow and monochrome. In 2013, the music group further postponed the Dear Hunter’s come back with another LP, Migrant, and continuing a steady timetable of concert events, which also highlighted a string quartet (these displays were documented for the surprise discharge from the Dear Hunter Live record in early 2015, which Crescenzo mentioned was a “give thanks to you” for the music group’s dedicated group of fans). Prior to the discharge of Action IV in 2015, Crescenzo constructed his debut symphony, Amour & Attrition, that was inspired by Debussy and Gershwin and thematically centered on a man protagonist and his trip through a ensemble of fans. In Sept 2015, the music group released Action IV: Rebirth in Reprise. Mirroring Crescenzo’s very own place in lifestyle in those days, Action IV continuing the Dear Hunter’s saga, concentrating on the protagonist’s go back to familiar areas where he found the parts as someone different. A year later on, Work V: Hymns using the Devil in Confessional came. The penultimate installment within the series was documented at exactly the same time as Work IV, financing a familiar shade to the recording, which centered on the protagonist’s regression into vice and sin before an best rebirth that were hinted at as soon as Work II. The music group hit the street to get the record, teasingly dubbing it “THE ULTIMATE Work Tour.”