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The Criterions

Currently the Criterions are chiefly remembered to be the starting pad towards the 70s achievement of Manhattan Transfer, however they boasted a unique career within their own best. Essentially a doo-wop group from Belmar, NJ, USA, their roots can be tracked to 1956 when Tim Hauser (business lead) seen a Frankie Lymon AS WELL AS THE Teens concert in Asbury Recreation area which finished in a riot. Hauser escaped the difficulty by causing his way in to the stage wings, where Lymon himself asked him in to the dressing areas. That conference was to demonstrate pivotal, and urged Hauser to create his personal neighbourhood vocal group. By 1958 he previously recruited St. Rose SENIOR HIGH SCHOOL classmates Tommy Picardo (best tenor), Jimmy Ruff (second tenor), Steve Casagrande (baritone) and Phil Miller (bass). They started rehearsing collectively after acquiring their name from an area restaurant, quickly changing Miller with Joe Ernst. Developing in skills, they approached many New York brands, eventually producing the acquaintance of maker Al Browne following a failed audition for End Information. They moved into the studios with Browne in Sept 1958, documenting live staple ‘Nita Juanita’ (a cover edition from the Crests’ ‘My Juanita’) and a genuine composition, ‘Don’t State Goodbye’. Nevertheless, this brace had been rejected by way of a succession of brands, leading to the intro of a fresh business lead vocalist in John Mangi (ex-Point Pleasant), with Hauser switching to 1st tenor. After declining a agreement from home city label Arc Information they eventually authorized with Cecilia Information in Apr 1959. Their debut solitary was ‘I Remain Truly Yours’, that was found for airplay instantly by disk jockey Alan Freed (unsurprising maybe, as Cecilia Information’ manager Marty Foglia was Freed’s audio engineer). It became an area achievement, but not plenty of of 1 to dissuade the Criterions’ people to defer their impending university professions. A revision of ‘Don’t State Goodbye’ was their following release. Sessions kept with the Fantastic Dominoes, which led to the latter music group enjoying popular beneath the guise from the Viscounts with ‘Harlem Nocturne’, didn’t produce any outcomes. The suggested Criterions single out of this period, a sizzling set up from the gospel regular ‘Over The Rainbow’, rather became a high 20 US graph achievement for the Measurements in 1960. The Criterions performed some more displays and backed vocalist Jerry Perci’s record for Cecilia, but under no circumstances recorded later on. Picardo continued to become noted manufacturer and article writer (specifically through his use Jim Croce) as the various other members, Hauser apart, still left the music business. Hauser produced Manhattan Transfer in 1969 and appreciated global achievement, though within a path far taken off his earthy R&B root base.

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