The Contortions

Biography

Formed by Wayne Siegfried (aka Wayne Prospect) in the past due 70s, the Contortions had been a collision of punk and harmolodic jazz that, alongside Bill Laswell’s Materials and James Blood vessels Ulmer, constituted New York’s zero wave scene. Possibility’s knowing of cutting-edge jazz – along with a defiantly first saxophone design, an unholy mix of Captain Beefheart and Maceo Parker – injected his music using a brittle energy which was unparalleled. The Contortions, composed of Possibility, Pat Place (electric guitar), Jody Harris (electric guitar), Adele Bertei (keyboards), George Scott III (bass) and Don Christensen (drums), debuted in 1978 on No NY, a seminal sampler chronicling the town’s no influx movement. The music group’s experimental fusion of punk, free of charge jazz and funk was exemplified for the startling Purchase, issued for the then-fashionable Ze label. Three live models, released following Contortions’ demise, chronicled their memorable in-concert power. A afterwards version from the music group, James White AS WELL AS THE Blacks, fostered Defunkt as another entity, kick-starting the dark rock motion that begat Living Color. Heroin complications prevented James Possibility reaching a big viewers, but his spiky, gorgeous music remains being a testament that jazz chops usually do not always make for tiresome rock music.

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