Besides, perhaps, the Moms of Invention (with whom these were occasionally compared), the Bonzo Doggie Band were probably the most successful group to mix rock and roll music and comedy. Starting as the Bonzo Doggie Dada Band, after that getting the Bonzo Doggie Doo-Dah Band, and finally simply the Bonzo Doggie Music group, the group was began by British artwork university students in the mid-’60s. In the beginning they were willing toward trad jazz and vaudevillian routines, but by enough time of their 1967 debut recording, these were leaning further in pop and rock and roll directions. A short appearance in the Beatles’ Magical Mystery Tour film bolstered their presence, and Paul McCartney (beneath the pseudonym Apollo C. Vermouth) produced their solitary “I’m the Metropolitan Spaceman,” which reached the English Best Five in 1968. The Bonzos actually strike their stride using their second and third albums, which discovered them adding components of psychedelia with their already-absurdist mixture of pop, cabaret, and Dada. The Bonzos could possibly be side-splitting, but their information organized well because these were also able music artists and songwriters, paced by Neil Innes and Viv Stanshall (both of whom published the lion’s talk about of their finest materials). The group attemptedto move into much more serious and musical realms using their 1969 LP Keynsham, which, unsurprisingly, was acclaimed as their weakest work. They split up soon afterward; Viv Stanshall produced some obscure single recordings (he was also the grandstanding narrator on Mike Oldfield’s “Tubular Bells”). Neil Innes collaborated with users of Monty Python, upon whom the Bonzos had been a large impact, aswell as composing the tunes for and executing in the Beatles documentary spoof, The Rutles.