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The Seaside Nuts were one of the studio-only groups that released tracks to which Lou Reed contributed in the mid-1960s, when he was an employee songwriter and session musician on the spending budget/exploitation label Pickwick. “Routine Annie” may be the one Seaside Nuts monitor to have obtained reasonably wide blood flow to Lou Reed/Velvet Underground enthusiasts, via its addition in the Velvet Underground rarities bootleg The Velvet Underground Etc.. It isn’t a negative hot-rod tune with Chuck Berry-styled electric guitar, and those non-chalant vocals cannot participate in anyone but Lou Reed. It had been originally a monitor on the crazy compilation LP, Soundsville, with different performers — the Hi-Lifes, the Roughnecks, the J Brothers, the Liberty Guys, Jeannie Larimore, the Hollywoods, and Connie Carson — illustrating different genres (The Noises of NY, The Noises of Nashville, The Noises of Detroit, The Noises of Browsing, The Noises from the Campus, The Noises of Britain) with a couple of songs apiece. “Routine Annie” was the slice to demonstrate The Seems of the Motorbike.
