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The Band

Biography

For roughly half of a 10 years, from 1968 through 1975, the Band was one of the most well-known and influential rock and roll groups on earth, their music embraced by critics (and, to some somewhat lesser level, the general public) as seriously because the music from the Beatles as well as the Moving Stones. Their albums had been analyzed and evaluated as intensely as any information by their one-time company and sometime coach Bob Dylan. Even though Music group retired from touring following the Last Waltz and disbanded many years later on, their legacy thrived for many years, perpetuated from the bandmates’ particular solo careers along with the long lasting strength from the Band’s catalog. The group’s background goes back to 1958, nearly the time which the formative Beatles quit skiffle for rock and roll & move. Ronnie Hawkins, an Arkansas-born rock and roll & roller who aspired to a genuine career, set up a support music group that included his fellow Arkansan Levon Helm, who performed drums (in addition to credible electric guitar) and acquired led his very own music group, the Jungle Bush Beaters. The brand new clothing, Ronnie Hawkins & the Hawks, started recording through the springtime of 1958 and gigged through the entire American south; in addition they performed displays in Ontario, Canada, where in fact the money was much better than in their indigenous south. When pianist Willard Jones still left the lineup twelve months afterwards, Hawkins started looking at a number of the regional music skill in Toronto in past due 1959. He contacted a musician called Scott Cushnie about becoming a member of the Hawks on keyboards. Cushnie had been playing inside a music group with Robbie Robertson, nevertheless, and would just join Hawkins when the second option musician could arrive. After some level of resistance from Hawkins, Robertson moved into the lineup on bass, changing a departing Jimmy Evans. Extra lineup switches occurred over the following couple of years, with Robbie Robertson moving to rhythm electric guitar behind Fred Carter’s (and, briefly, Roy Buchanan’s) business lead playing. Rick Danko (blessed Dec 9, 1943) emerged in on bass in 1961, accompanied by Richard Manuel (blessed Apr 3, 1944) on piano and support vocals. Around that same period, Garth Hudson (blessed August 2, 1937), a classically educated musician who could examine music, became the final piece of the original puzzle as body organ participant. From 1959 through 1963, Ronnie Hawkins & the Hawks had been among the hottest rock and roll & roll rings for the circuit, a particular honor throughout a amount of time in which rock and roll & move was supposedly deceased. Hawkins himself was virtually Toronto’s response to Elvis Presley, and he continued to be accurate to the music even while Presley himself softened and broadened his audio. The mixture of personalities inside the group meshed well, much better than they do with Hawkins, who, unbeknownst to him, was shortly the odd guy out in his very own group. As brand-new people Danko, Manuel, and Hudson emerged aboard — all Canadian, and changing Hawkins’ fellow southerners — Hawkins dropped control of the group, somewhat, as they started working together even more carefully. Finally, the Hawks parted organization with Ronnie Hawkins through the summer time of 1963, the singer’s sometimes overbearing character and ego obtaining the better of the partnership. The Hawks made a decision to stay as well as their oldest member, Levon Helm, out in the front, variously renaming themselves Levon & the Hawks as well as the Canadian Squires and trimming information under both titles. A hook-up with a John Hammond, Jr. for some recording periods in NY resulted in the group’s getting released to Bob Dylan, who was simply then getting ready to increase his audio in concert. Robertson and Helm performed behind Dylan at his Forest Hillsides concert in NY in 1965 (a bootleg tape which survives, and may be noticed), and he eventually signed up the complete group. The hook-up with Dylan transformed the Hawks, nonetheless it wasn’t usually an easy cooperation. Within their five years support Ronnie Hawkins, the group got performed R&B-based rock and roll & roll, seriously influenced with the audio of Chess Information in Chicago and Sunlight Information in Memphis. Additionally, they’d discovered to play firmly and specifically and had been accustomed to carrying out before viewers which were interested mainly in having a great time and dancing. Right now Dylan experienced them playing electrical adaptations of folk music, with plenty of strumming and missing the type of edge these were accustomed to gaining their function. His audio was traceable towards the music of Big Costs Broonzy and Josh Light, while they’d spent years playing the music of Jerry Lee Lewis, Chuck Berry, and Bo Diddley. Since it happens, all those affects are related, however, not directly, rather than in ways which were obvious towards the players in 1964. Ironically, within the springtime of 1965, the group experienced just skipped their opportunity at what might have been a famous conference on record having a musician they do understand. They’d fulfilled Arkansas-based blues story Sonny Boy Williamson II, and jammed using the vocalist/blues harpist 1 day, wishing to slice some information with him. They hadn’t recognized it at that time, but Williamson was a dying guy — by enough time the Hawks had been ready to come back and make an effort to trim some information with him, he previously offered. Another issue for the group about dealing with Dylan worried his market. The Hawks acquired performed before a whole lot of different viewers in the last four years, but the vast majority of them had been people mainly interested in savoring themselves and having a great time. Dylan, nevertheless, was playing for crowds that appeared prepared to reject him over basic principle. The Hawks weren’t familiar with confronting the forms of passions that drove the folk viewers, any longer than these were primarily ready for the freewheeling character of Dylan’s shows — he loved to make adjustments in the manner he do tracks at that moment, as well as the group was frequently hard put to maintain with him, a minimum of at first, even though experience do make them a far more versatile ensemble on-stage. Ultimately the group do gather with Dylan as his back-up music group on his 1966 tour, although Levon Helm remaining immediately after the tour started by the end of 1965. The group eventually fell beneath the administration orbit of Dylan’s personal supervisor, Albert Grossman, who persuaded the four primary people (sans Helm) to become listed on Dylan in Woodstock, NY, focusing on the classes that eventually became the Cellar Tapes within their several configurations, none which would be noticed officially for nearly ten years. (Certainly, up to the period, only an individual song, “EXACTLY LIKE Tom Thumb’s Blues,” performed live in the tour just finished, on the 45 B-side, got surfaced representing the group using Dylan). Finally, a documenting agreement for the group — rechristened the Music group — was guaranteed by Grossman from Capitol Information. Levon Helm came back the collapse, and the effect was Music from Big Red, an indirect outgrowth from the Cellar Tapes. This recording, enigmatically called and packed, sounded like nothing at all else being performed by anybody in music when it had been released in July of 1968. It had been as if psychedelia, as well as the so-called United kingdom Invasion, had hardly ever occurred; the group performed and sang like five specific individuals functioning toward exactly the same objective, not really mixing together efficiently. There is a collective audio to “the music group,” nonetheless it composed five distinct specific voices and devices combining folk, blues, gospel, R&B, traditional, and rock and roll & move. The press latched to the recording before the general public do, but on the following year, the Music group became one of the most talked about sensation in rock and roll music and Music from Big Green obtained a mystique and significance comparable to such albums as Beggars Banquet. The group and record ran counter towards the so-called counterculture, and got a little used to, only if for their insufficient a smooth, quickly categorizable sound. Their music was steeped in Americana and traditional and mythic American imagery, even though every one of the people except Helm originated from Canada (which, actually, might have helped them enjoy the culture these were coping with, as outsiders). Robertson, Manuel, and Danko all published, and everyone but Robertson and Hudson sang; their vocals didn’t mesh sweetly but merely flowed together within an casual manner. Classical body organ flourishes meshed having a big (however lean), raw rock and roll & roll audio and the complete was up to now taken off the self-indulgent virtuosity and politics and social posturing happening around them that this Music group appeared to be working in another fact, to different guidelines. In this same period, the group’s previous association with Bob Dylan — whose name at that time had an nearly mystical resonance with viewers — was stated within the rock and roll press and in addition put right within the encounters of listeners through a fresh phenomenon. Only an individual track in the group’s 1966 tour with Dylan acquired ever surfaced, which was an out-of-print B-side to a vintage single. However in 1969, the very first broadly distributed bootleg LP, THE FANTASTIC White Wonder, offering the then-unreleased Cellar Tapes, started arriving on university campuses and record enthusiasts’ outlets. The product quality was limited, labels had been blank, and there is no “advertising” therefore of the patently illegal launch, nonetheless it got around to thousands of listeners in support of heightened the mystique encircling the Music group. Music from Big Red, which included a painting by Bob Dylan on its cover, started selling — gradually at first and better — as well as the group performed a few go for shows. Another record, merely titled The Music group, was just as effective as the very first. Dominated by Robertson’s composing, it had been released in Sept of 1969, along with it, the group’s status exploded; furthermore, they started their climb from the darkness of Bob Dylan with songwriting of their very own that was just a match for anything he was liberating at that time. A set of tracks, “Through to Cripple Creek” and “THE NIGHT TIME They Drove Ol’ Dixie Down,” captured the general public imagination, the previous obtaining them onto The Ed Sullivan Display within an appearance that’s amazing to view on the state Ed Sullivan video discharge; the host happens to accept and congratulate them, certainly thrilled following the psychedelic and really difficult rock and roll works that he generally booked, to visit a group whose phrases and music he known. Meanwhile, “THE NIGHT TIME They Drove Ol’ Dixie Down” became a favorite radio monitor and yielded popular cover version within the guise of the unaccountably corrupted rendition by Joan Baez (where, for factors that just Baez might be able to clarify, Robert E. Lee can be transformed right into a steamboat) that produced the very best Five. Following a release of the next recording, things changed relatively inside the group. Partially due to the stresses of touring as well as the public’s anticipations of “genius,” and to the developing press fixation on Robbie Robertson at the trouble of all of those other group, another group users continued to be familiar plenty of that their titles and personalities had been well-known to the general public. The Music group was still an excellent operating ensemble, as displayed on their excellent third record, Stage Fright, but steadily exhaustion and personal stresses required their toll. Additionally, the large sums of money that this users began collecting, against thousands and eventually an incredible number of record product sales, led to cases of irresponsible behavior by specific users and their spouses and elevated the strain on the group to execute. The people had often engaged in a degree of informal drug use, mainly involving marijuana, however now they had usage of much more serious and costly chemical substance diversions. Some personal resentments also started manifesting themselves about Robertson’s dominance from the songwriting (some fact which was questioned openly in Levon Helm’s autobiography years later on), and the actual fact that this group was right now constantly in the general public vision didn’t help. By enough time from the 4th recording, Cahoots, a number of the shine of experimentation and easygoing camaraderie was eliminated, though ironically, the record was still one of the better released in 1971. The issue for the group became satisfying every one of the commitments involved with achievement, including touring and composing new materials to record. By the finish of 1971, they’d made a decision to have a break, trimming a live recording, Rock of Age groups, which was all followers had to content material themselves with in 1972. The actual fact that their following recording, released in 1973, was a assortment of studio room versions from the oldies the fact that group i did so on-stage, and quantities that they understood from their times because the Hawks, must have been a danger sign that not really everything was well within the group. Even more troubling still was the actual fact the renditions had been so simple and smooth sounding set alongside the music they’d cut on every prior album; it just wasn’t as much as the standard that certain anticipated of the group and the actual fact they didn’t tour behind the record appeared to suggest that these were marking period with Moondog Matinee. The group do play one main show that calendar year, on the competition monitor at Watkins Glen, NY, prior to the largest market ever assembled for the rock and roll concert — it had been a demonstration of the put in place the rock and roll pantheon the Music group was booked alongside the Thankful Dead as well as the Allman Brothers Music group. The entire year 1973 was also where they allow other footwear drop on the association with Bob Dylan, slicing the earth Waves recording with him and finding your way through a huge nationwide tour collectively in 1974. That tour, in retrospect, appeared even more a basis for cashing in on the association with Dylan than for just about any brand-new music-making of any significance. In lots of critics’ eye, the Music group was more advanced than Dylan within their performances, a concept borne from a lot of the live LP Prior to the Flood which was distilled down from both Feb 14, 1974, shows. Everyone produced a fortune from this, however the tour with Dylan also thrust the group directly into the center of probably the most decadent area of the rock and roll world. Most of the simpleness and directness of the music and lives succumbed to the simple option of sex, medications, as well as other diversions as well as the costly lifestyles these were all beginning to preserve. By the finish of 1974, the Music group had expended a lot of the nice will they’d developed from their 1st four albums. Another recording, Northern Lamps — Southern Combination released in past due 1975, was a significant return and restored a number of the group’s popularity being a cutting-edge ensemble, also encompassing components of synthesizer music into its composing and production. For this same period, Levon Helm and Garth Hudson produced a belated contribution to the annals of Chess Information (in light of the near-miss with Sonny Youngster Williamson ten years earlier) if they caused Muddy Waters, slicing an entire record using the blues tale at Helm’s studio room in Woodstock, NY. The Muddy Waters Woodstock Record, although ignored at that time by everyone however the critics, was the last great recording cut from the label or by Waters in the label, and his greatest recording in a minimum of five years. It had been too late to save lots of the Music group as an operating ensemble, nevertheless; the people had been all involved with their own passions and lives as well as the group ceased touring. The unavoidable best-of album in 1976, before what became their last tour, proclaimed the unofficial end of the initial lineup’s background. One last brand-new record, Islands, satisfied the group’s agreement and experienced some fine occasions, but they by no means toured behind it and it had been clear to 1 and all the Music group was finished like a heading concern. The group designated the end of the days as a dynamic unit using the release from the film (and associated soundtrack LP established) THE FINAL Waltz, directed by Martin Scorsese, of the farewell concert, that was an all-star executing affair pulling jointly the abilities of Ronnie Hawkins, Muddy Waters, Eric Clapton, Neil Youthful, Truck Morrison, and twelve other luminaries attracted from the rates of old close friends, admirers, and idols of theirs. Robertson and Helm pursued musical and film professions, while Danko attempted to start out a solo profession of his personal. Capitol Records held repackaging their music on vinyl fabric with an Anthology collection another best-of LP, and a pair of Compact disc recompilations, To Kingdom Arrive and Over the Great Separate, within the ’90s. Since it proved the users, aside from Robertson, weren’t quite as prepared or ready to close the reserve over the group, partly because they noticed no cause to and in addition because many of them demonstrated unable to maintain profitable solo professions (Robertson, having created a lot of the music, had a reliable income through the publishing along with the record product sales). Another associates of the group reunited at several situations — in 1983, four associates from the Music group, with Robertson changed by Earl Cate from the Cate Brothers on acoustic guitar, reunited to get a tour that yielded a full-length concert video and a wholesome viewers response. The loss of life of Richard Manuel in 1986 cast a dark pall on any long term reunions, which there were many — Robertson released his 1st solo recording a year afterwards, including a tribute to Manuel (“Fallen Angel”). This is as close because the guitarist would reach a Music group reunion, nevertheless, which became a bone tissue of contention among onlookers as well as the associates. Robertson publicly questioned what this is from the Last Waltz have been and could not participate. So when the group’s main songwriter and primary guitarist, he was their most well-known member, but he hardly ever sang significant vocal parts on the recordings (certainly, it is stated that one cause their arranged from Woodstock was hardly ever released was because his mic was live and his tone of voice too prominent). Various other guitarists could build on his work very well enough, and all of those other group had produced significant efforts to just about any melody they ever do, therefore the reunions produced feeling. In 1993, the Music group released Jericho, their 1st new recording in 16 years, which received remarkably good reviews. On top of the Hog adopted in 1996 and 2 yrs later on, they famous their 30th wedding anniversary with Jubilation. The loss of life of Rick Danko in his rest at his house in Woodstock on Dec 10, 1999, your day after his 56th birthday, named an end to long term actions by any edition from the Music group, even though they received the Grammys’ Life time Achievement Prize in 2008. Levon Helm, whose single career got accelerated through the 2000s (like the well-received Vanguard recording Dirt Farmer), contracted malignancy and passed away in Apr 2012.

Quick Facts


Full Name The Band
Awards Grammy Lifetime Achievement Award, Canadian Music Hall of Fame, Grammy Hall of Fame
Music Songs The Weight, The Night They Drove Old Dixie Down, I Shall Be Released, Up On Cripple Creek, Ophelia, The Shape I'm In, It Makes No Difference, This Wheel's On Fire, Rag Mama Rag, When I Paint My Masterpiece, Acadian Driftwood, Atlantic City, Life Is A Carnival, King Harvest, Whispering Pines, Don't Do It, Long Black Veil, Helpless, Mystery Train, When You Awake, Christmas Must Be Tonight, Across the Great Divide, Daniel And The Sacred Harp, The Unfaithful Servant, We Can Talk, Lonesome Suzie, Look Out Cleveland, You Ain't Goin' Nowhere, Get Up Jake, Time to Kill, Ain't No More Cane, Rockin' Chair
Albums Music from Big Pink, The Basement Tapes, Northern Lights-Southern Cross, Stage Fright, Rock of Ages, Jericho, Before the Flood, Moondog Matinee, Cahoots, The Last Waltz, The Band, Islands, Live at the Academy of Music 1971, Jubilation, High on the Hog, Live at Watkins Glen, Little white wonder, Bazerk Bazerk Bazerk (feat. No Self Control and The Band), The Best of the Band, The Bootleg Series Vol. 11: The Basement Tapes Complete, A Musical History, To Kingdom Come: The Definitive Collection, Greatest Hits, Anthology, Till the Night Is Gone: A Tribute to Doc Pomus, The Night They Drove Old Dixie Down, Carter Baron Amphitheater, Washington DC, July 17th 1976, Palladium Circles (Live), Mandel Hall, Chicago 1983 (Live FM Radio Concert Remastered In Superb Fidelity), Live at Mountain Stage, Charleston, 1994 (Fm Radio Broadcast), Live at the Palladium NY 18 SEP ‘76 - Remastered, Katerinská jeskyne (speciální akustický koncert), Live 2014 Vysocina Fest, Live at the Convocation Hall, Ontario, Canada, 1993 (Fm Radio Broadcast), At The Cultural Center, Charlestown 23 Jan '94 (Live), Across the Great Divide, Capitol Rarities 1968-1977 (Remastered), The Best of The Band, Vol. II, From Bacon Fat to Judgement Day, And Then There Were Four (Live), Transmission Impossible (Live), The Best of, Vol. 2 (Remastered)


  • Facts
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  • Quotes
  • Trademarks
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#Fact
1 Lived together in a pink-colored house called "Big Pink", with the basement used as rehearsal space; their first album was titled "Music From Big Pink". Bob Dylan's jam sessions at the house were recorded, bootlegged, then later released officially as "The Basement Tapes".
2 Grew out of Bob Dylan's 1960s backing band. They adopted their name while Dylan was out of action, recovering from a motorcycle accident.
3 Members have included Robbie Robertson, Levon Helm, Richard Manuel, Rick Danko, Garth Hudson, Bobby Keys, Sandy Konikoff, Don Preston, Jim Gordon, Bobby Torres, Jim Horn, Chuck Blackwell, Jim Price, Jim Keltner, Carl Radle.


Soundtrack

Soundtrack

TitleYearStatusCharacter
The '60s 1999 TV Movie performer: "The Weight"
Sports Night 1998 TV Series performer - 1 episode
Patch Adams 1998 performer: "The Weight"
Prefontaine 1997 performer: "I Shall Be Released"
Larger Than Life 1996 performer: "Life Is a Carnival"
The War 1994 performer: "Up On Cripple Creek"
Little Big League 1994 performer: "STUFF YOU GOTTA WATCH"
Jack the Bear 1993 performer: "I Shall Be Released"
The Indian Runner 1991 performer: "I SHALL BE RELEASED"
Woodstock: The Lost Performances 1990 Video documentary performer: "The Weight"
Berkeley in the Sixties 1990 Documentary performer: "The Weight"
Baywatch 1989 TV Series performer - 1 episode
New York Stories 1989 performer: "Like A Rolling Stone"
Dear America: Letters Home from Vietnam 1987 TV Movie documentary performer: "I SHALL BE RELEASED"
Firstborn 1984 performer: "The Night They Drove Old Dixie Down"
The Big Chill 1983 performer: "The Weight"
Star 80 1983 performer: "Up On Cripple Creek"
The Last Waltz 1978 Documentary performer: "Who Do You Love", "Such A Night", "Helpless", "The Weight", "Dry Your Eyes", "Coyote", "Mystery Train", "Mannish Boy", "Further On Up The Road", "Evangeline", "Caravan", "Forever Young", "Baby Let Me Follow You Down", "I Shall Be Released", "Don't Do It", "Theme from The Last Waltz", "Up On Cripple Creek", "The Shape I'm In", "It Makes No Difference", "Stagefright", "Old Time Religion", "The Night They Drove Old Dixie Down", "Genetic Method/Chest Fever", "Ophelia"
The Shadow of Chikara 1977 performer: "The Night They Drove Old Dixie Down"
Saturday Night Live 1976 TV Series performer - 1 episode
Double Header 1974 performer: "Mystery Train" - uncredited
Oceans 1971 Documentary performer: "I Shall Be Released" - uncredited
Easy Rider 1969 performer: "The Weight"
The Nice Guys 2016 performer: "AIN'T GOT NO HOME"
The Last Man on Earth 2016 TV Series performer - 1 episode
Good Girls Revolt 2015 TV Series performer - 1 episode
Late Show with David Letterman 2015 TV Series writer - 1 episode
Supernatural 2014 TV Series performer - 1 episode
Hell on Wheels 2014 TV Series performer - 1 episode
And So It Goes 2014 performer: "Up On Cripple Creek"
Dawn of the Planet of the Apes 2014 performer: "The Weight"
Deuce and a Quarter 2012 Short performer: "I Got You Babe"
This Is 40 2012 performer: "The Weight"
Jason Becker: Not Dead Yet 2012 Documentary performer: "Further On Up the Road"
The Dilemma 2011 performer: "BABY DON'T YOU DO IT"
The Good Guys 2010 TV Series performer - 1 episode
Everything Must Go 2010 performer: "I Shall Be Released"
Extraordinary Measures 2010 performer: "The Weight"
Howl 2010 performer: "This Wheel's on Fire"
Leaves of Grass 2009 performer: "Shall Be Released"
Taking Woodstock 2009 performer: "I Shall Be Released"
Observe and Report 2009 performer: "When I Paint My Masterpiece"
The Messenger 2009/I performer: "The Night They Drove Old Dixie Down" 1969
No Subtitles Necessary: Laszlo & Vilmos 2008 Documentary performer: "Mannish Boy"
Gonzo: The Life and Work of Dr. Hunter S. Thompson 2008 Documentary performer: "All Along the Watchtower"
Upp till kamp 2007 TV Mini-Series performer - 1 episode
1408 2007 performer: "The Weight"
The Sopranos 2007 TV Series performer - 1 episode
The Unknown Woman 2006 performer: "Giorgia On My Mind"
The Departed 2006 performer: "Comfortably Numb" 1979
Wanderlust 2006 TV Movie documentary performer: "The Weight"
My Name Is Earl 2006 TV Series performer - 1 episode
The Wendell Baker Story 2005 performer: "When I Paint My Masterpiece"
Live from New York: The First 5 Years of Saturday Night Live 2005 TV Special documentary performer: "Life Is a Carnival"
A Home at the End of the World 2004 performer: "Look Out Cleveland"
Starsky & Hutch 2004 performer: "The Weight"
One Tree Hill 2004 TV Series performer - 1 episode
The Blues 2003 TV Series documentary 1 episode
Festival Express 2003 Documentary performer: "Slippin' & Slidin'", "The Weight", "I Shall Be Released"
Breakfast with Hunter 2003 Documentary performer: "The Weight"
Skeppsholmen 2003 TV Series performer - 1 episode
The Boys of 2nd Street Park 2003 TV Movie documentary performer: "The Weight"
Comedian 2002 Documentary performer: "When I Paint My Masterpiece"
Ed 2001 TV Series performer - 1 episode
The Lone Gunmen 2001 TV Series performer - 1 episode
Girl, Interrupted 1999 performer: "The Weight"
Roswell 1999 TV Series performer - 1 episode

Self

Self

TitleYearStatusCharacter
Down in the Flood: Bob Dylan, the Band & the Basement Tapes 2012 Video documentary
Bite Me: The Movie 2011 Himself (as The Band)
Garlic: 'A Weird Wood Soul' 2003 Video short Themselves
Festival Express 2003 Documentary Themselves
Robbie Robertson: Going Home 1995 TV Movie documentary Themselves
Late Show with David Letterman 1995 TV Series Themselves - Musical Guest
Bob Dylan: 30th Anniversary Concert Celebration 1993 TV Special documentary Themselves
The Wall: Live in Berlin 1990 TV Movie documentary
The Last Waltz 1978 Documentary Themselves

Archive Footage

Archive Footage

TitleYearStatusCharacter
Walk on By: The Story of Popular Song 2001 TV Series documentary Themselves
SNL: 25 Years of Music 1999 TV Movie Themselves

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