Blasting in to the post-punk consciousness with a significant debut record, the Au Pairs, fronted by lesbian-feminist Lesley Woods, performed brittle, dissonant, guitar-based rock and roll that shared political and music kinship using the Mekons and (especially) the Gang of Four. The music was danceable, imbued with an nearly petulant irony, and for some time, extremely hip and well-liked by critics. Unlike many rings of your day, nevertheless, the Au Pairs (a minimum of initially) supported it up with searing, confrontational music celebrating sexuality from a woman’s perspective. Also, they had taken swipes on the conventional political environment sweeping Britain after Margaret Thatcher’s election as Perfect Minister. Sometimes, Woods’ commitments to intimate and cultural politics produced her audio inflexible, doctrinaire, and hectoring (specifically on their Fine second record). But, initially blush, the Au Pairs had been a mighty intimidating proposition, in a position to take on a lot and deliver great music along the way. Following a desultory live record in 1983 (Reside in Berlin), the music group split, and Woods and her bandmates possess maintained a minimal profile.