Terry Pollard was quite dynamic in jazz from the 1950s, while not an excessive amount of was heard from her in subsequent years. She was area of the extremely fertile Detroit jazz picture in the past due ’40s and early ’50s, playing piano with lots of the main up-and-coming players and documenting with Billy Mitchell in 1948. Pollard — who caused Johnny Hill from 1948-1949, Emmitt Slay from 1950-1952, and frequently with Billy Mitchell from 1952-1953 — experienced her greatest presence from 1953-1957, when she performed piano and second vibes with Terry Gibbs’ quartet. Pollard documented with Gibbs and Dick Garcia and was getting a strong status; in 1957, nevertheless, she thought we would go back to Detroit and increase a family group. She documented with Yusef Lateef from 1958-1959 and Dorothy Ashby in 1961 but ultimately slipped aside into obscurity, despite her skills. Pollard led just one single record day: an recording for Bethlehem in 1955. She passed away in the brand new York Town borough from the Bronx on Dec 16, 2009 at age 78.