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Tanburi Cemil Bey

Tanburi Cemil Bey is remembered among the most significant composers of instrumental artwork music through the late amount of the Otoman Empire in Turkey. Bey’s recordings between 1910 and 1914, before the invention from the electrical microphone, established the precedent for the saz semai collection form that is constantly on the dominate traditional Turkish music. Based on the NY Daily Information, Bey “bends style, Turkish blues if you want”. The Defeat praised Bey for his “still left hands technique of equivalent power and agility compared to that of Jimi Hendrix.” Bey’s traditional recordings, with accompaniment by Kemence on tanbur and ud and Hafuz Yasar on violoncello, have already been reissued by Traditional Crossroads being a assortment of three albums.

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