Tah Phrum Duh Bush

From Big Daddy Kane, Whodini, the Fat Young boys, Biz Markie, and U.T.F.O. to Lil’ Kim, Jay-Z, the Junior M.A.F.We.A., Hurricane G, as well as the later Christopher Wallace, aka the Notorious B.We.G. or Biggie Smalls, more information on rappers has symbolized Brooklyn over time — and in the 2000s, Tah Phrum Duh Bush surfaced as you of Brooklyn’s articulate hip-hop reps. The “Bush” that Tah can be discussing in his stage name may be the Flatbush portion of Brooklyn, where he was raised. Various other Brooklyn rappers possess symbolized Bedford-Stuyvesant, East NY, Coney Isle, Canarsie, or Crimson Hook, but Tah’s stomping surface continues to be Flatbush (which can be where Lana Moorer, aka MC Lyte, was raised), and Tah brings a recognizably northeastern movement to the desk. Tah could not be recognised incorrectly as a West Coastline or Southern rapper; his rhyming is very much indeed something of his Northeastern Corridor upbringing, as well as the East Coastline MCs who one thinks of when Tah can be rapping range between Q-Tip (of the Tribe Called Search popularity) and De La Spirit to the Root base. Tah has a few of Search and De La Soul’s laughter and quirkiness, but he also offers a few of KRS-One’s philosophical strategy sometimes (without having to be as overtly sociopolitical). Tah’s tune “Lifestyle and Loss of life Dichotomy,” for instance, can be philosophical, contemplative, and thought-provoking in a manner that brings to brain KRS’ reflections. Even though a number of the Northeastern Corridor rappers who’ve surfaced in the ’90s or 2000s have already been influenced by Western world Coastline and Southern gangsta rap (Staten Island’s Wu-Tang Clan and Queens’ Mobb Deep are among the hardcore rappers who brought gangsta rap to NEW YORK in the ’90s), Tah provides favored an alternative solution rap aesthetic rather than thug lifestyle/gangsta visual — which isn’t to state that his music isn’t edgy. Tah’s rhymes are edgy, and he could be sexually explicit sometimes (“Lay down That Tube” can be among Tah’s even more sex-minded rhymes). Tah, a skilled freestyler, understands his method around a fight rhyme, however when he income verbal warfare on the sucker MC, it is not about thuggery, but instead can be a kind of musical sportsmanship (which can be where Big Daddy Kane, Run-D.M.C., LL Great J, Kool Moe Dee, and several other East Coastline rappers from the ’80s had been coming from if they unleashed their fight rhymes back your day). In 2006, Tah released his debut record, Sunlight or Pure Tone, by himself Press in the Bush Information label.