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Having as its main training course a repertory of Northeastern and folk music, the Trio Nagô acquired its biggest strikes using the baião “Mulatinha Sarará” (Walter Tourinho/Isaías Ferreira) as well as the toada “Aquarela Cearense” (Valdemar Ressurreição); the latter getting re-recorded with the trio in 1954 being a samba, once …
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