Home / Tag Archives: The Delta 72 (page 3)

Tag Archives: The Delta 72

The Four Corners

A supergroup inside the Athens indie rock and roll scene, the 4 Edges comprises guitarist Ryan Lewis (of Kincaid and Sunlight Fix, in addition to co-founder of Kindercore information), vocalist/keyboardist Tracy Hatch, bassist Julia Rydholm (of Ladybug Transistor), drummer Neil Cleary (of Essex Green), and Snow (of Je Suis France). …

Read More »

Chrome Cranks

Created in Ohio by Peter Aaron (vocals, guitar) and William Weber in 1988, the strap pretty much plodded indistinguishably until relocating to NEW YORK in the first ’90s. In 1992, the Cranks had been joined by previous Honeymoon vacation Killers’ bassist Jerry Teel. Drummer Dan Willis authorized on at exactly …

Read More »

Lynnfield Pioneers

Named honoring their high-school football group, the self-described “hip-hop-no-wave” unit Lynnfield Pioneers had been made up of singer/Moog manipulator Dan Make, guitarist Mike Janson, and drummer John Paul Jones. Produced in 1995, the Pioneers shortly debuted using the Newport EP released with the Lampshop label; some singles followed, gaining them …

Read More »

The Make-Up

Indie-punk subversives the Make-Up surfaced from your ashes from the seminal Washington, D.C. clothing Country of Ulysses, reuniting vocalist Ian Svenonious, guitarist Wayne Canty, and drummer Steve Gamboa (who collectively also previously teamed within the short-lived Cupid Car Golf club, M.P. along with the T.A.M.We. Display). Completing the lineup with …

Read More »

Skull Kontrol

Alt-rockers Skull Kontrol were formed in Washington, D.C., in 1997, comprising vocalist/guitarist Chris Thomson (previously of Monorchid, Ignition, and Circus Lupus), bassist Kim Thompson (ex-Delta 72 and Cupid Car Membership), and drummer Brooks Headly. When Monorchid disbanded, guitarist Andy Coronado became a member of up, and Thomson turned solely to …

Read More »

Southern Culture on the Skids

True with their name, North Carolina’s Southern Culture over the Skids provides an affectionate parody of regional white-trash trailer-park culture, coordinating their skewed outlook using a outrageous, careening make of rock & roll. SCOTS’ music is really a quintessentially Southern-fried amalgam of rockabilly, boogie, nation, blues, swamp pop, and chitlin …

Read More »