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Micko Westmorland was among the just artists from the British “drill’n’bass” scene to go up above the amount of fleeting stage. Combining components of electro, jungle, and downtempo/trip-hop in unusual, fidgety, often funny juxtapositions, Westmorland added a monitor to erstwhile techno/electronica label Increasing High’s Further Self-Evident Truths compilation series before …
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