Home / Tag Archives: Stanley Turrentine (page 2)

Tag Archives: Stanley Turrentine

Major Holley

Main Holley was most widely known for utilizing the Slam Stewart trademark of singing together with his bowed bass solos, although he sang together while Stewart vocalized an octave above his bass. Usually, Main Holley (referred to as “Mule”) was an excellent supportive bassist. He originally performed violin and tuba, …

Read More »

Al Harewood

A fine otherwise showy drummer, Al Harewood have been the epitome of a practiced, sensitive percussionist because the ’50s. He offered consistent, stable rhythmic support and used a push and unexpected dexterity when provided the limelight. Harewood started his career within the ’50s dealing with the J.J. Johnson/Kai Winding duo. …

Read More »

Willis “Gator” Jackson

A thrilling tenor saxophonist whose honking and squeals (although influenced simply by Illinois Jacquet) were quite exclusive, Willis Jackson was also a solid improviser who sounded perfectly aware of body organ groups. He performed locally in Florida in early stages, until signing up for Cootie Williams (on / off during …

Read More »

Harold Ousley

Although Harold Ousley isn’t a large name within the jazz world and it has only documented sporadically like a leader, the hard bop/soul-jazz musician has backed some main jazz artists over time. Ousley (who’s mainly a tenor saxophonist but offers performed the flute as another instrument) was created in Chicago …

Read More »

Cannonball Adderley

Among the great alto saxophonists, Cannonball Adderley had an exuberant and happy audio that communicated immediately to listeners. His smart display of his music (frequently detailing what he and his music artists were likely to play) helped make him perhaps one of the most well-known of most jazzmen. Adderley currently …

Read More »

David “Fathead” Newman

As an adolescent, David Newman played professionally around Dallas and Fort Worthy of with Charlie Parker’s coach, Buster Smith, and in addition with Ornette Coleman within a music group led by tenor saxophonist Crimson Connors. In the first ’50s, Newman proved helpful locally with such R&B music artists as Lowell …

Read More »

Mickey Roker

b. 3 Sept 1932, Miami, Florida, USA. Elevated in Philadelphia, Pa, Roker performed drums with R&B rings but was drawn to jazz. He worked well briefly with such going to and regional jazzmen as Jimmy Heath, Lee Morgan and McCoy Tyner and it had been not before end from the …

Read More »

Red Holloway

An exuberant participant with attractive shades in both tenor and alto, Crimson Holloway was also a humorous blues vocalist. Whether bop, blues, or R&B, Holloway kept his very own with anyone. Holloway performed in Chicago with Gene Wright’s big music group (1943-1946), served within the Army, and used Roosevelt Sykes …

Read More »

Jimmy Forrest

An excellent all-round tenor participant, Jimmy Forrest is best-known for saving “Night Teach,” a track that he “borrowed” from your last section of Duke Ellington’s “Happy Move Lucky Local.” During senior high school in St. Louis, Forrest caused pianist Eddie Johnson, the renowned Fate Marable, as well as the Jeter-Pillars …

Read More »

Roy Ayers

Once probably one of the most visible and being successful jazz vibraphonists from the 1960s, then an R&B bandleader in the 1970s and ’80s, Roy Ayers’ status s given that of one from the prophets of acidity jazz, a guy decades before his period. A tune like 1972’s “Proceed to …

Read More »