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Tag Archives: Sidney Bechet

Eddie Condon

A significant propagandist for freewheeling Chicago jazz, an underrated rhythm guitarist, and a talented wisecracker, Eddie Condon’s primary importance to jazz had not been a lot through his personal playing as with his capability to collect together large sets of all-stars and produce thrilling, spontaneous, and incredibly coherent music. Condon …

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Barney Bigard

Barney Bigard was probably one of the most distinctive clarinetists in jazz and a longtime asset to Duke Ellington’s orchestra. Although he got clarinet lessons with Lorenzo Tio, Bigard’s preliminary reputation was produced like a tenor saxophonist; actually, based on some of his recordings (especially people that have Luis Russell), …

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Billy Banks

It is rather common for blues scholars to mistake a single obscure female basic blues vocalist for another, particularly if these are performing an itchy outdated number such as for example “Mean Aged Bed Insect Blues”. For stated “feminine” vocal to have been done by a guy is fairly a …

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Kenny Davern

Described in THE BRAND NEW York Situations as “the best possible clarinetist playing today” in the 1990s, that high compliment wasn’t remote the mark, since it put on Kenny Davern in the autumn of his life, on the top of his power. Contact him a jazz purist, a good snob, …

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Baby Dodds

Probably the first important jazz drummer, Baby Dodds was among the earliest to alter his patterns throughout a performance; a solid exemplory case of his exciting style could be heard on the trio overall performance (with Jelly Move Morton and Baby’s sibling Johnny) of “Wolverine Blues” in 1927. A significant …

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Soprano Summit

The 1970s, a time most widely known in jazz because the “fusion years,” appeared like an extremely unlikely time and energy to form a vintage jazz/mainstream group. At Dick Gibson’s annual Colorado Jazz Party in 1972, Bob Wilber and Kenny Davern therefore enjoyed playing collectively during one track that within …

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Slim Gaillard

One of the most eccentric vocalists ever going to the jazz picture, Slim Gaillard became a legendary cult body because of his own privately invented jive dialect “vout,” a deviation on hipster slang made up of imaginary nonsense words and phrases (“oreenie” and “oroonie” getting two other illustrations). Gaillard’s comic …

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Sharkey Bonano

In the first ’20s, New Orleans native Sharkey Bonano performed locally using the bands of Chink Martin and Freddie Newman, amongst others. Later on, he relocated to NY where he unsuccessfully auditioned for an area using the Wolverines. In 1924, he got an area with pianist Jimmy Durante. Another year, …

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Henry Levine

The trumpeter Henry Levine, one of the music artists granted the exciting nickname of “Hot Lip area,” enjoyed some sort of smorgasbord of music happenings in just a playing career that lasted over fifty percent a hundred years. He began on small cornet as a kid and, although given birth …

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Willie “The Lion” Smith

Willie “The Lion” Smith within the 1920s was considered among the big 3 of stride piano (alongside Wayne P. Johnson and Excess fat Waller) despite the fact that he made minimal recordings before mid-’30s. His mom was an organist and pianist, and Smith began playing piano when he was six. …

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