Home / Tag Archives: Roscoe Mitchell (page 5)

Tag Archives: Roscoe Mitchell

David Murray

In the beginning an inheritor of the abstract/expressionist improvising style that started in the ’60s simply by such saxophonists mainly because Albert Ayler and Archie Shepp, David Murray ultimately evolved into something of the mainstream tenor, playing standards with conventional rhythm sections. Nevertheless, Murray’s readings from the aged chestnuts are …

Read More »

Enrico Rava

This hugely popular trumpet player (born in Trieste, Italy in 1939) almost single-handedly brought Italian jazz to international attention. He started playing Dixieland trombone in Turin, but after hearing Mls Davis, switched equipment and embraced the present day style. Other essential meetings had been with Gato Barbieri, with whom he …

Read More »

Clusone Trio

The Clusone Trio (also called Trio Clusone and Clusone 3) was a creative, international band of skilled music artists who combined improvisation, original compositions and old jazz chestnuts right into a music that’s kooky and/or delicate, but always winning. Cellist Ernst Reijseger, alto saxophonist and clarinetist Michael Moore, and drummer …

Read More »

Fred Hess

Over time, veteran tenor saxophonist Fred Hess shows himself to be always a versatile, broad-minded, highly flexible musician/composer who is able to handle a multitude of jazz settings. Like fellow saxophone explorer Joe Lovano — who he offers often been in comparison to — the Colorado citizen is content and …

Read More »

Carlos Ward

An excellent altoist whose bluesy audio is often even more accessible compared to the music he takes on, Carlos Ward is most beneficial referred to as a very important sideman. He was raised in Seattle, began on clarinet when he was 13, even though in the armed service studied in …

Read More »

Evan Parker

Among Europe’s state-of-the-art and intriguing saxophonists, Evan Parker’s solos and playing design are distinguished by his creative usage of circular breathing and false fingering. Parker can generate furious bursts, screeches, bleats, honks, and spiraling lines and phrases, and his single sax function isn’t for the squeamish. He’s mostly of the …

Read More »

Lawrence “Butch” Morris

Lawrence “Butch” Morris initial became referred to as a lyrical, round-toned (if roughly hewn) free of charge jazz cornetist. As his profession advanced, his cornet playing required a back chair to his bandleading; Morris developed a method of structured group improvisation which was dubbed “comprovisation,” an elision of structure and …

Read More »

Chico Freeman

A fantastic tenor saxophonist as well as the child of Von Freeman, Chico Freeman has already established a occupied and diverse profession, numerous recordings which range from advanced hard bop to almost free of charge avant-garde jazz. He originally performed trumpet, not taking on the tenor until he was a …

Read More »

Borah Bergman

Early in his career, it had been typical for jazz critics to compare the extraordinary totally free jazz pianist Borah Bergman to Cecil Taylor. Nevertheless, critics subsequently described the folly in such evaluations, perpetuating the same juxtaposition, rather than hearing Bergman abstracted from such issues. Though Bergman himself stated Tristano, …

Read More »

Billy Harper

Billy Harper is among a generation of Coltrane-influenced tenor saxophonists who in fact built upon the master’s function, rather than merely copy it. Harper is normally consummately well-rounded, in a position to play convincingly in virtually any framework, from bop to free of charge. His muscular build, lithe articulation, extensive …

Read More »