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Tag Archives: Peter Brötzmann Tentet

Michael Zerang

A self-described “Chicago-born Assyrian percussionist,” Michael Zerang’s set of collaborators is a virtual compendium from the Windy City’s free of charge jazz/improv community, including saxophonists Fred Anderson and Ken Vandermark, cellist Fred Longberg-Holm, drummer Hamid Drake, and bassist Kent Kessler, amongst others. A few of his many overall performance vehicles …

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Jeb Bishop

Trombonist Jeb Bishop is best-known while a member from the Vandermark 5, but was heavily involved with most branches of Chicago’s experimental music picture from the ’90s, from jazz to free of charge improv towards the avant-garde crossbreed genre post-rock. Bishop was raised in Raleigh, N.C., and began monitoring music …

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Ken Vandermark

Eyebrows were raised in the jazz globe when it had been announced that the relatively obscure and teen Ken Vandermark was to get a 1999 MacArthur Genius offer. Prior MacArthur recipients among jazz music artists consist of Cecil Taylor and Anthony Braxton — near-legendary statistics who, during the period of …

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Hamid Drake

With the close from the 1990s, Hamid Drake was widely thought to be one of the better percussionists in improvised music. Incorporating Afro-Cuban, Indian, and African percussion musical instruments and influence, furthermore to utilizing the regular trap established, Drake provides collaborated thoroughly with top free of charge jazz improvisers Peter …

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Mats Gustafsson

Swedish reeds participant and improviser Mats Gustafsson’s prolonged saxophone techniques pull equally through the fiery free of charge jazz blowing custom and the Western microtonal schools. Created in 1964 within the culturally wealthy section of Umeå, he was subjected at a age to different Swedish improvisers such as for example …

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Peter Brötzmann

Almost four decades after his death, the legacy of Albert Ayler is simply — various reed-biting aural contortionists bent in exploiting the saxophone’s propensity to make sounds that resemble a human scream. Many such players, struggling to play anything resembling a coherent melody, rely rather on the severe manifestations from …

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Joe McPhee

Since his emergence in the creative jazz and songs scene in the later ’60s and early ’70s, Joe McPhee is a deeply emotional composer, improviser, and multi-instrumentalist, and a thoughtful conceptualist and theoretician. Delivered on November 3, 1939, in Miami, Florida, McPhee initial started playing the trumpet at age group …

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Kent Kessler

Jazz bassist Kent Kessler is most beneficial known for his component in various Chicago rings, usually in line-ups with reedsman Ken Vandermark. He initial began showing up on recordings in the first ’90s as an associate of Hal Russell’s NRG Outfit. The band continuing after Russell’s loss of life in …

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Fred Lonberg-Holm

Fred Lonberg-Holm is certainly a high cellist in creative music, and energetic in a number of tasks in avant-garde music, experimental rock, and contemporary composition. He examined cello with Ardyth Alton and Orlando Cole, and structure with Morton Feldman, Anthony Braxton, and Bunita Marcus. The Delaware-born cellist spent section of …

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Toshinori Kondo

Needless to say, like many avant-garde experimenters and musical iconoclasts, Kondo’s early musical influences were largely straight-ahead jazz, especially hard bop. Certainly, the name of his university music group, the Funky Beaters, pretty reeks of hard bop attitude, particularly if one subscribes to the idea how the nickname “bop” originated …

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