Thoroughly Viennese, bass-baritone Erich Kunz excelled in serious roles (although he sang rather few), comic parts and in operetta characterizations. An essential participant in documenting maker Walter Legge’s Champagne Operetta series in the first 1950s, Kunz, as well as Elisabeth Schwarzkopf, described Viennese operetta design — its lightness, elegance, and …
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