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Tag Archives: Oliver Lake

Olu Dara

Although he didn’t record under his own name until 1998, Olu Dara enjoyed a reputation among the jazz avant-garde’s leading trumpeters in the mid-’70s on. Early-’80s information and performances using the David Murray Octet as well as the Henry Threadgill Sextet uncovered Dara to be always a daring, roots-bound soloist, …

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Joseph Jarman

Jarman had not been thus accomplished a saxophonist while his reed-playing partner in the Artwork Outfit of Chicago, Roscoe Mitchell. But Jarman’s feeling of color was good, his blunt-edged improvisations projected an psychologically immediacy of their personal, and his desire for poetry and theatre educated the band’s live shows. While …

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Charles Gayle

Charles Gayle made his initial significant effect on the free of charge jazz picture with some critically acclaimed NY performances on the Knitting Stock in the mid- to late ’80s. The tenor saxophonist’s hyper-kinetic free of charge expressionism attracts on stylistic gadgets pioneered in the ’60s with the past due …

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Human Arts Ensemble

The Human being Arts Outfit was a music and theatrical cooperative founded in St. Louis, MO, in 1971 by free of charge jazz musicians who was simply connected AACM and Handbag (Dark Artist’s Group). Around 1970, general public funding started to dry out for arts businesses which were suspected of …

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Hamiet Bluiett

One of the most prominent baritone saxophonist of his generation, Hamiet Bluiett combines a blunt, modestly inflected attack using a fleet, aggressive technique, and (probably most of all) a uniform hugeness of sound that extends from his horn’s lowest reaches to far beyond what’s usually its highest register. Most likely …

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Sonny Fortune

Saxophonist, flutist, and multi-reed participant Sonny Lot of money is a progressive musician using a harmonically aggressive design who found prominence as an associate of trumpeter Mls Davis’ fusion sets of the ’70s. Delivered in Philadelphia in 1939, Lot of money went to the Wurlitzer and Granoff music institutions and …

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Jimmy Lyons

Visualize what Sonny Stitt may have sounded like acquired he embraced free of charge jazz after understanding bebop, and you can probably conjure a fairly good mental impression of Jimmy Lyons. Like Stitt, Lyons was enamoured of Charlie Parker’s design, particularly with regards to phrasing. Lyons’ slippery, bop-derived rhythms and …

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George Cartwright

Composer/saxophonist/improviser George Cartwright is most beneficial known for his use the group Curlew. Cartwright was created and elevated in Mississippi. In the 1970s he researched at Karl Berger’s Innovative Music Studio room in upstate NY, with such performers as Leo Smith, Anthony Braxton, and Oliver Lake. He shifted to Manhattan …

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World Saxophone Quartet

Probably the to begin several saxophone-only ensembles who proliferated in jazz after 1975, the WSQ is obviously probably the most commercially (and, probably, the most artistically) successful. Needless to say, commercial success is normally a relative part of jazz, particularly when one is talking about an avant-garde group. But unlike …

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Byard Lancaster

A lesser-known avant-gardist who based a lot of his profession in Philadelphia, Byard Lancaster was a sophisticated improviser who was simply not shy showing the impact of blues and spirit in his solos. He used Sunny Murray beginning in 1965 and caused Costs Dixon (1966-1967), Sunlight Ra (on / off …

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