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Nathan Larson has always displayed his singer/songwriter heart boisterously, never once veering toward the lo-fi shoegazing that took over a lot of the musical ’90s. From 1992 along with his use the post-punk-, R&B-, and glam-rock-informed Shudder to believe, Larson included his penchant for emotive musical swells and lust-drenched crooning. …
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