Home / Tag Archives: Mainstream Jazz (page 10)

Tag Archives: Mainstream Jazz

Jimmy Smith

Jimmy Smith wasn’t the 1st body organ participant in jazz, but nobody had a larger influence using the instrument than he did; Smith coaxed a wealthy, grooving tone from your Hammond B-3, and his audio and style produced him a high instrumentalist in the 1950s and ’60s, while several rock …

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Laila Dalseth

Norway is well-known for fjords, northern lamps, Edvard Grieg and for just two very great jazz performers, Karen Krog and Laila Dalseth. In 1954, Dalseth started her singing profession at age 14 in her city of Bergen. Shifting from her house of Bergen to Oslo in 1960, Dalseth started a …

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Greg Burk

Post-bop pianist Greg Burk was created in Lansing, MI, to parents both energetic in classical music. He examined piano from a age group, sometimes along with his improv-minded grandmother, and became a member of his high school’s jazz music group while playing gigs for pay out privately. He researched at …

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Christy Baron

Elevated in Pittsburgh, jazz and pop singer and actress Christy Baron started her singing job like a cabaret vocalist and piano player while majoring in music at Carnegie-Mellon University or college in Pittsburgh. After shifting to NY in 1984, she started working like a piano participant in smaller sized jazz …

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Coleman Hawkins

Coleman Hawkins was the initial important tenor saxophonist and he remains to be one of the biggest ever. A consistently contemporary improviser whose understanding of chords and harmonies was encyclopedic, Hawkins acquired a 40-calendar year best (1925-1965) where he could keep his very own with any competition. Coleman Hawkins began …

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Jimmy Rowles

Lengthy known for his expertise in discovering an ideal chord for an ideal situation, the refined Jimmy Rowles was popular for decades simply because an accompanist while being underrated being a soloist. After playing in regional groupings in Seattle, Rowles shifted to LA in 1940 and caused Slim Gaillard, Lester …

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Bill Pemberton

A good bassist who was simply perhaps most obviously for his flexibility and capability to support soloists (he hardly ever took solos himself), Expenses Pemberton worked steadily for over 40 years. He began on violin, acquiring a decade of lessons before switching to bass when he was 18. In the …

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Billy Taylor

Billy Taylor was this articulate spokesman for jazz, and his profiles in CBS’ Sunday Morning hours tv program (where he was a normal from 1981) were therefore successful at introducing jazz to a larger audience, that occasionally you can forget just what a talented pianist he was for more than …

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Billy Butterfield

A versatile pre-bop trumpeter with a lovely tone, Billy Butterfield could play fairly ballads and heated Dixieland with equal skill. After early encounter in the middle-’30s using the rings of Austin Wylie and Andy Anderson, Butterfield became well-known while using Bob Crosby’s Orchestra (1937-1940), acquiring the main single on the …

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Bobbi Humphrey

Bobbi Humphrey is a jazz flautist whose music tastes low fat toward fusion and simple jazz-pop. From your outset of her profession, Humphrey was very popular, winning a big crossover target audience with her pop-oriented jazz-fusion. Throughout her profession, her recognition exceeded her essential acclaim, but she received high marks …

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