Tag Archives: Jungle/Drum’n’Bass

Since he shifted from taking part in bass inside a many hardcore rings in Manchester, Tripwire started taking a pastime into the picture of hip-hop and techno in 1994 just before involving himself like a DJ. Ultimately earning acknowledgement as an experienced drum and bass maker, Tripwire debuted two singles …

Among the perfect manufacturers of soulful home music with an advantage (granted he’s from Detroit), Terrence Parker began a hip-hop DJ but afterwards blended an abundance of affects (from techno, spirit, disco, jazz, and also downtempo) to provide his recordings a distinctive taste midway between hands-in-the-air home as well as …

St. Albans-based duo Supply Immediate are renowned for the ambient-leaning intensifying drum’n’bass they’ve released over the Metalheadz, Cellar, Certificate 18, and Road Beats labels, in addition to independently self-titled imprint. Frequently weighed against such rolling, calm junglists as LTJ Bukem, Peshay, and Goldie, Supply Direct actually amount nearer to the …

Led by producer Sound Secretion, Systemwide was a club-oriented dub-reggae ensemble in the U.S.’s Pacific Northwest area, and positioned particular focus on live show. The group produced in 1997 and debuted on record afterwards that calendar year with Sirius; in 2000, they came back using the EP Osmani Stepper along …

British producer Tim Exile (blessed Tim Shaw in 1978) initially experienced digital music through DJing, but following discovering synthesizers and tape machines and picking right up a sampler, he began producing difficult drum’n’bass for Beta Recordings and Shifting Shadow, among various other labels. From 2000 through 2004, he released approximately …

Perhaps one of the most important collectives in breakbeat dance’s change from hardcore to jungle through the early ’90s, Foul Play was in charge of seminal drum’n’bass monitors like “Open up YOUR BRAIN,” “Getting with You” and their remix of Omni Trio’s “Renegade Snares” (all recorded for Moving Darkness Information). …

Amen Andrews is another in an extended type of aliases for electronic music juggernaut Luke Vibert. Amen (called after the famous drum break of the same name) produced his 1st appearance on some highly popular, limited-edition 12″s on Richard D. Wayne (aka Aphex Twin) and Give Wilson-Claridge’s esteemed Rephlex imprint. …

The drum’n’bass sounds of Ohm Square have changed over time, because of growing production influences and experiences. The music group was produced in 1996 with associates Jan Cechticky, Jan Klenick, Dusan Lipert, and English-born vocalist Charlie One. That same calendar year they released two Western european distributed tracks over the …

Yellow Be aware was the drum’n’bass alias of composer/manufacturer David Barratt. After issuing a small number of 12″ releases in addition to compilation performances, he released his full-length debut WE HAVE BEEN Not really the Beatles in 1998. Yellowish Take note vs. the Daleks implemented a year afterwards.

Seemingly overnight, Large Contrast became probably one of the most discussed drum’n’bass producers in years. Not really since the past due ’90s, when Goldie and Roni Size had been saving full-length albums instead of strictly tracks, acquired there been a lot buzz tossed upon a drum’n’bass producer’s shoulder blades. The …