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Tag Archives: Herbert von Karajan

Arnold van Mill

The first line “home bass” for London/Decca records in the 1950s, Dutch bass Arnold van Mill wielded a virile basso cantante that shown ample bite for Wagner while being supple enough to create him a creditable singer of Mozart bass roles such as for example Osmin and Sarastro. His documented …

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Dennis Brain

Few instrumentalists from the 20th century did even more to determine a single role for a musical instrument than Dennis Brain. By age group 36, he previously helped restore the four Mozart and two Strauss horn concertos towards the repertory; motivated Hindemith, Britten, among others to create for his device; …

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Hilde Güden

Hilde Gueden (given birth to Hulda Geiringer) was among the amazing youthful Mozart/Strauss singers who emerged from Vienna soon after WWII and who dominated Mozart overall performance well in to the 1960s. Gueden’s substantial ease in the very best register destined her to sing the lighter tasks of Richard Strauss …

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Elisabeth Höngen

A chameleon-like musician, mezzo-soprano Elisabeth Höngen covered almost the entire spectral range of tasks written on her behalf tone of voice register. From Woman Macbeth to Marcellina in Mozart’s Figaro, from Carmen for an Orfeo of religious probity, she impersonated her every part having a conviction that appeared to modification …

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Karl Ridderbusch

Powerful of tone of voice, though with no deep, lowering tone of a few of his predecessors, bass Karl Ridderbusch nevertheless produced a solid impression in the fantastic Wagner bass tasks. His plush device boasted thrusting best notes through the many years of his substantial perfect and possessed adequate size …

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Sena Jurinac

Soprano Sena Jurinac (pronounced Sehn-ya Yoo-ree-nahts) was among that extraordinary outfit of Mozart performers to possess emerged in the Vienna Staatsoper soon after the finish of WW II. Also together with Schwarzkopf, Seefried, Höngen, Kunz, Schöffler, among others, the youthful artist using the glowing tone of voice and guaranteed stage …

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Piero Cappuccilli

Piero Cappuccilli was among the leading baritones of his era, most closely from the music of Verdi. His wide variety, greater than two-and-a-half octaves, and his near-legendary breathing control were flawlessly suited to actually the most challenging functions. While his physical performing was generally limited, he was an excellent vocal …

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Cornell MacNeil

Although not seen as a great operatic actor, Cornell MacNeil possessed probably one of the most sumptuous baritone voices from the twentieth century’s second fifty percent. A mainstay in the Metropolitan Opera, his curved, heavyweight device coursed magnificently through such functions as Tonio, Amonasro, Rigoletto, Germont, Nabucco, and Scarpia, producing …

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Eberhard Wächter

Eberhard Wächter (the name may also be rendered “Waechter”) was a significant baritone in the centre area of the twentieth century, and, following his singing career, an opera administrator. He got piano and music theory in the College or university of Vienna from 1950, then shifted to the Vienna Academy …

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Maria Cebotari

A singer of tremendous native skill and imperishable will, Maria Cebotari applied her silvery soprano to assignments that seemed far beyond her means. However through astute musicianship and a generating need to professional the dramatic repertory, she been successful far beyond goals, essaying such challenging, vocally destructive assignments as Turandot …

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